{"id":5558,"date":"2024-10-17T17:04:08","date_gmt":"2024-10-17T17:04:08","guid":{"rendered":"http:\/\/www.narrativecosystems.org\/wp\/?page_id=5558"},"modified":"2025-10-21T12:32:52","modified_gmt":"2025-10-21T12:32:52","slug":"wokeit-2022","status":"publish","type":"page","link":"https:\/\/www.narrativecosystems.org\/wp\/wokeit-2022\/","title":{"rendered":"WokeIt 2022"},"content":{"rendered":"\t<div  class=\"vc_row wpb_row vc_row-fluid\">\n  \n\t<div class=\"vc_col-sm-3 wpb_column vc_column_container \">\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t\n<div class=\"columnLoghettini\">\n      <img decoding=\"async\" class=\"loghettini\" id=\"logoWokeIt\" src=\"http:\/\/www.narrativecosystems.org\/wp\/wp-content\/uploads\/2024\/11\/WokeIt-e1732550347946.png\" alt=\"WokeIt Logo\" \/>\n    <\/div>\n<p>  \n\t\t<\/div> \n\t<\/div> \n\n  \n\t<div class=\"vc_col-sm-3 wpb_column vc_column_container \">\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t\n<div class=\"columnLoghettini\">\n      <img decoding=\"async\" class=\"loghettini nonLogoWokeIt\" src=\"http:\/\/www.narrativecosystems.org\/wp\/wp-content\/uploads\/2024\/11\/LOGO_UniversitaRicerca_tracciato.png\" alt=\"Universit\u00e0 e Ricerca Logo\" \/>\n    <\/div>\n<p>  \n\t\t<\/div> \n\t<\/div> \n\n  \n\t<div class=\"vc_col-sm-3 wpb_column vc_column_container \">\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t\n<div class=\"columnLoghettini nonLogoWokeIt\">\n      <img decoding=\"async\" class=\"loghettini\" src=\"http:\/\/www.narrativecosystems.org\/wp\/wp-content\/uploads\/2024\/11\/italiadomani-sfondo-biancoblu.jpg\" alt=\"Italia Domani Logo\" \/>\n    <\/div>\n<p>  \n\t\t<\/div> \n\t<\/div> \n\n  \n\t<div class=\"vc_col-sm-3 wpb_column vc_column_container \">\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t\n<div class=\"columnLoghettini nonLogoWokeIt\">\n      <img decoding=\"async\" class=\"loghettini\" src=\"http:\/\/www.narrativecosystems.org\/wp\/wp-content\/uploads\/2024\/11\/IT-Finanziato-dallUnione-europea_BLUE_GREY.png\" alt=\"UE Logo\" \/>\n    <\/div>\n<p>  \n\t\t<\/div> \n\t<\/div> \n\n<\/div>\n\t<div  class=\"vc_row wpb_row vc_row-fluid\">\n\t<div class=\"vc_col-sm-12 wpb_column vc_column_container \">\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t\n\t<div class=\"wpb_text_column wpb_content_element \">\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<h2 class=\"text-centered\">WokeIt.<\/h2>\n<h3 class=\"text-centered sottotitolo\">Investigating Representation, Inclusivity, and Social Responsibility in Rai\u2019s Fictional Audiovisual Productions.<\/h3>\n\n\t\t<\/div> \n\t<\/div> \n\t\t<\/div> \n\t<\/div> \n<\/div>\n<div  class=\"vc_row wpb_row vc_row-fluid\">\n\t<div class=\"vc_col-sm-12 wpb_column vc_column_container \">\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t\n\t<div class=\"wpb_text_column wpb_content_element \">\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<h2 class=\"text-centered text-azzurro\">____________________________________________________________<\/h2>\n\n\t\t<\/div> \n\t<\/div> \n\t\t<\/div> \n\t<\/div> \n<\/div>\n\t<div  class=\"vc_row wpb_row vc_row-fluid\">\n\t<div class=\"vc_col-sm-12 wpb_column vc_column_container \">\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t\n\t<div class=\"wpb_text_column wpb_content_element \">\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<h2 class=\"text-centered\">Conference<\/h2>\n\n\t\t<\/div> \n\t<\/div> \n\t\t<\/div> \n\t<\/div> \n<\/div>\n\t<div  class=\"vc_row wpb_row vc_row-fluid\">\n\n\t<div class=\"vc_col-sm-12 wpb_column vc_column_container \">\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t\n\n\t<div class=\"wpb_text_column wpb_content_element \">\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<div class=\"text-centered\">\n<b>Diversity, equity e inclusion nei media audiovisivi italiani.<\/b><br \/>\n30-10-2025, 31-10-2025\n<\/div>\n\n\t\t<\/div> \n\t<\/div> \n\n\t\t<\/div> \n\t<\/div> \n\n<\/div>\n<div class=\"download-button\" style=\"display: flex; justify-content: center; align-items: center; margin-top: 20px; margin-bottom: 20px;\"><a style=\"display: flex; justify-content: center; align-items: center; padding: 10px 20px; background-color: #8eccda; color: #ffffff; text-decoration: none; border-radius: 5px; font-weight: bold; font-size: 16px; max-width: 300px; text-align: center;\" href=\"http:\/\/www.narrativecosystems.org\/wp\/wp-content\/uploads\/2025\/10\/PROGRAMMA_30-31ott_Digital.pdf\" download=\"\"><br \/>\n<img decoding=\"async\" style=\"width: 20px; height: auto; margin-right: 8px;\" src=\"http:\/\/www.narrativecosystems.org\/wp\/wp-content\/uploads\/2025\/01\/document-icon-36543.png\" alt=\"CFP\" \/> Download Program (IT)<br \/>\n<\/a><\/div>\n<p><\/p>\n<div class=\"download-button\" style=\"display: flex; justify-content: center; align-items: center; margin-top: 20px; margin-bottom: 20px;\"><a style=\"display: flex; justify-content: center; align-items: center; padding: 10px 20px; background-color: #8eccda; color: #ffffff; text-decoration: none; border-radius: 5px; font-weight: bold; font-size: 16px; max-width: 300px; text-align: center;\" href=\"http:\/\/www.narrativecosystems.org\/wp\/wp-content\/uploads\/2025\/10\/LOCANDINA.pdf\" download=\"\"><br \/>\n<img decoding=\"async\" style=\"width: 20px; height: auto; margin-right: 8px;\" src=\"http:\/\/www.narrativecosystems.org\/wp\/wp-content\/uploads\/2025\/01\/document-icon-36543.png\" alt=\"CFP\" \/> Download Flyer (IT)<br \/>\n<\/a><\/div>\n<div  class=\"vc_row wpb_row vc_row-fluid\">\n\t<div class=\"vc_col-sm-12 wpb_column vc_column_container \">\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t\n\t<div class=\"wpb_text_column wpb_content_element \">\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<h2 class=\"text-centered text-azzurro\">____________________________________________________________<\/h2>\n\n\t\t<\/div> \n\t<\/div> \n\t\t<\/div> \n\t<\/div> \n<\/div>\n\t<div  class=\"vc_row wpb_row vc_row-fluid\">\n\t<div class=\"vc_col-sm-12 wpb_column vc_column_container \">\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t\n\t<div class=\"wpb_text_column wpb_content_element \">\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<h2 class=\"text-centered\">About the project<\/h2>\n\n\t\t<\/div> \n\t<\/div> \n\t\t<\/div> \n\t<\/div> \n<\/div>\n\t<div  class=\"vc_row wpb_row vc_row-fluid\">\n\n\t<div class=\"vc_col-sm-12 wpb_column vc_column_container \">\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t\n\n\t<div class=\"wpb_text_column wpb_content_element \">\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<p><b>WokeIt. Investigating Representation, Inclusivity and Social Responsibility in Rai\u2019s Fictional Audiovisual Productions<\/b> is a 24-month project funded by the Italian Ministry of University and Research and the Next Generation EU program (PRIN 2022 PNRR).<br \/>\nThe project aims to critically investigate the strategies of inclusiveness and representation of minorities in fictional audiovisual content produced by Rai Fiction and Rai Cinema, the production companies owned by the Italian public service broadcaster Rai. Through the interdisciplinary analysis of policies, industrial practices, on-screen representations, and the modes of circulation and reception of Rai-produced (or co-produced) TV series and movies since 2015, the project is designed to develop a systemic framework that can critically read and analyze the level of social responsibility and actual relevance of the public service broadcaster\u2019s industrial and narrative strategies of representation and inclusion. In other words, we ask: does Rai\u2019s strategy constitute a meaningful and effective model of corporate social responsibility or is it another case of \u201c-washing\u201d?<\/p>\n<p>The project analyzes three main interconnected levels:<\/p>\n<ul>\n<li><strong>Production:<\/strong> Rai\u2019s business strategies and policies driving its choices on diversity representation, as well as its diversity communication rhetorics.<\/li>\n<li><strong>Representation:<\/strong> Rai\u2019s representation strategies, visual rhetorics, and stereotypes.<\/li>\n<li><strong>Circulation and Reception:<\/strong> The circulation patterns of Rai Fiction and Rai Cinema content from the perspective of inclusive representation agendas, as well as common critic and audience responses to the texts.<\/li>\n<\/ul>\n<p>This approach seeks to interconnect otherwise segmented research in film and television studies, shedding new light on Rai\u2019s production companies. It also aims to integrate representation practices within the economic, industrial, political, and sociocultural system of Italian media, reflecting on the concrete relevance of inclusive representation strategies. Ultimately, it re-examines the role of Rai as a public broadcasting service in the complex contemporary scenario.<\/p>\n<p>Please note that, within the limits of the project, we use the terms \u201cminorities\u201d and \u201cunderrepresented minorities\u201d to refer to identities and communities culturally subordinated in Italy in relation to disability, ethnicity, gender, neurodivergence, and sexuality. While we use this moniker as shorthand for simplicity, we also recognize and seek to avoid its intrinsic risks of homogenization. Additionally, we use the term \u201cwoke-washing\u201d to refer to the practice of superficially incorporating social justice or progressive themes into TV shows, often to appear socially conscious or inclusive without genuinely addressing deeper issues or promoting meaningful change. This involves using these themes as a marketing strategy rather than a genuine commitment to diversity, equity, and inclusion.<\/p>\n\n\t\t<\/div> \n\t<\/div> \n\n\t\t<\/div> \n\t<\/div> \n\n<\/div>\n<div class=\"download-button\" style=\"display: flex; justify-content: center; align-items: center; margin-top: 20px; margin-bottom: 20px;\"><a style=\"display: flex; justify-content: center; align-items: center; padding: 10px 20px; background-color: #8eccda; color: #ffffff; text-decoration: none; border-radius: 5px; font-weight: bold; font-size: 16px; max-width: 300px; text-align: center;\" href=\"http:\/\/www.narrativecosystems.org\/wp\/wp-content\/uploads\/2024\/11\/wokeit-2.pdf\" download=\"\"><br \/>\n<img decoding=\"async\" style=\"width: 20px; height: auto; margin-right: 8px;\" src=\"http:\/\/www.narrativecosystems.org\/wp\/wp-content\/uploads\/2024\/11\/m2i8G6Z5G6K9m2A0.png\" alt=\"Italian Flag\" \/> Download PDF (IT)<br \/>\n<\/a><\/div>\n\t<div  class=\"vc_row wpb_row vc_row-fluid\">\n\t<div class=\"vc_col-sm-12 wpb_column vc_column_container \">\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t\n\t<div class=\"wpb_text_column wpb_content_element \">\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<h2 class=\"text-centered\">Objectives<\/h2>\n\n\t\t<\/div> \n\t<\/div> \n\t\t<\/div> \n\t<\/div> \n<\/div>\n\t<div  class=\"vc_row wpb_row vc_row-fluid\">\n\n\t<div class=\"vc_col-sm-3 wpb_column vc_column_container \">\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t\n<div class=\"card\"><!-- Icon for CSR and Inclusion --><br \/>\n<i class=\"fas fa-handshake\" style=\"font-size: 50px; color: #2a9d8f; text-align: center;\"><\/i><\/p>\n<h4><b>Production Modes, Policies, Communication Rhetorics<\/b><\/h4>\n<div class=\"container\">\n<\/p>\n<p>To analyze Rai\u2019s business strategies, policies, and communication rhetorics in order to understand: the rationale behind representation choices; the impact of corporate social responsibility policies; the influence of digital and commercial competition; and how diversity is communicated while balancing creative and commercial needs.<\/p>\n<\/div>\n<\/div>\n\n\t\t<\/div> \n\t<\/div> \n\n\n\t<div class=\"vc_col-sm-3 wpb_column vc_column_container \">\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t\n<div class=\"card\"><!-- Icon representing minority representation --><br \/>\n<i class=\"fas fa-users\" style=\"font-size: 50px; color: #f4a261; text-align: center;\"><\/i><\/p>\n<h4><b>Circulation and Reception Trends<\/b><\/h4>\n<div class=\"container\">\n<p>To explore the distribution and reception patterns of Rai content regarding inclusivity, investigating: broad distribution trends in different contexts, relationships between production and distribution actors, and how inclusivity influences both circulation strategies and audience\/critical reception.<\/p>\n<\/div>\n<\/div>\n\n\t\t<\/div> \n\t<\/div> \n\n\n\t<div class=\"vc_col-sm-3 wpb_column vc_column_container \">\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t\n<div class=\"card\"><!-- Icon representing investigating audiovisual content --><br \/>\n<i class=\"fas fa-film\" style=\"font-size: 50px; color: #e76f51; text-align: center;\"><\/i><\/p>\n<h4><b>Modes of Representation<\/b><\/h4>\n<div class=\"container\">\n<p>To examine Rai\u2019s representation strategies and visual rhetorics, focusing on: the evolution of narrative choices; trends in innovation and stereotyping; the impact of digital competition; and how casting, genres, and themes have changed over time.<\/p>\n<\/div>\n<\/div>\n\n\t\t<\/div> \n\t<\/div> \n\n\n\t<div class=\"vc_col-sm-3 wpb_column vc_column_container \">\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t\n<div class=\"card\"><!-- Icon for tools and methodologies --><br \/>\n<i class=\"fas fa-cogs\" style=\"font-size: 50px; color: #264653; text-align: center;\"><\/i><\/p>\n<h4><b>Frameworks &amp; Methodologies<\/b><\/h4>\n<div class=\"container\">\n<p>To develop interdisciplinary tools and frameworks to analyze production, representation, and circulation in Italian media, integrating economic, industrial, cultural, and social approaches.<\/p>\n<\/div>\n<\/div>\n\n\t\t<\/div> \n\t<\/div> \n\n<\/div>\n\t<div  class=\"vc_row wpb_row vc_row-fluid\">\n\t<div class=\"vc_col-sm-12 wpb_column vc_column_container \">\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t\n\t<div class=\"wpb_text_column wpb_content_element \">\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<h2 class=\"text-centered\">Research Units<\/h2>\n\n\t\t<\/div> \n\t<\/div> \n\t\t<\/div> \n\t<\/div> \n<\/div>\n\t<div  class=\"vc_row wpb_row vc_row-fluid\">\n\t<div class=\"vc_col-sm-12 wpb_column vc_column_container \">\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t\n\t<div class=\"wpb_tabs wpb_content_element  research-units-tabs\" data-interval=\"0\">\n\t\t<div class=\"wpb_wrapper wpb_tour_tabs_wrapper ui-tabs vc_clearfix\">\n\t\t\t<ul class=\"wpb_tabs_nav ui-tabs-nav vc_clearfix\"><li><a href=\"#tab-research_unit1\"><img decoding=\"async\" class=\"loghettini\" src=\"http:\/\/www.narrativecosystems.org\/wp\/wp-content\/uploads\/2024\/10\/Seal_of_the_University_of_Bologna.svg.png\" alt=\"Universit\u00e0 di Bologna Logo\" \/> Universit\u00e0 degli Studi di Bologna<\/a><\/li><li><a href=\"#tab-research_unit2\"><img decoding=\"async\" class=\"loghettini\" src=\"http:\/\/www.narrativecosystems.org\/wp\/wp-content\/uploads\/2024\/10\/Logo_Universita_di_Urbino.png\" alt=\"Universit\u00e0 degli Studi di Urbino Carlo Bo Logo\" \/> Universit\u00e0 degli Studi di Urbino Carlo Bo<\/a><\/li><li><a href=\"#tab-research_unit3\"><img decoding=\"async\" class=\"loghettini\" src=\"http:\/\/www.narrativecosystems.org\/wp\/wp-content\/uploads\/2024\/10\/Logo-Universita-degli-studi-LINK-quad.png\" alt=\"Link Campus University Logo\" \/> Link Campus University<\/a><\/li><\/ul>\n\n\t\t\t\n<p><!-- Universit\u00e0 di Bologna Tab --><br \/>\n\n\t\t\t<div id=\"tab-research_unit1\" class=\"wpb_tab ui-tabs-panel wpb_ui-tabs-hide vc_clearfix\">\n\t\t\t\t\n\n\t<div class=\"wpb_text_column wpb_content_element \">\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<div class=\"researcher-container\">\n<p><!-- Researcher 1 --><\/p>\n<p><!-- Researcher 1: Paola Brembilla --><\/p>\n<div class=\"researcher-card\">\n<div class=\"left-column\">\n<div class=\"researcher-info\"><img decoding=\"async\" src=\"http:\/\/www.narrativecosystems.org\/wp\/wp-content\/uploads\/2024\/11\/Paola.jpg\" alt=\"Paola Brembilla\" \/><\/p>\n<div class=\"text-info\">\n<p><strong>Paola Brembilla<\/strong><\/p>\n<p>Associate Professor<\/p>\n<p>Principal Investigator<\/p>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"right-column\"><\/div>\n<div class=\"biography\">\n<p>Paola Brembilla is Associate Professor at the University of Bologna, where she teaches Television and Digital Media. Her research interests concern the intersection of business models, narrative forms, and socio-cultural contexts in serial narratives. She is the author of numerous publications, including articles, chapters, and books, among which <em>La televisione italiana. Storie, generi e linguaggi<\/em> (with L. Barra and V. Innocenti, Pearson 2024), <em>Franchise Mediali. Industrie, narrazioni, pubblici<\/em> (P\u00e0tron, 2023), and <em>It&#8217;s All Connected. L&#8217;evoluzione delle serie TV statunitensi<\/em> (Franco Angeli, 2018). With Ilaria A. De Pascalis, she edited the volume <em>Reading Contemporary Serial Television Universes<\/em> (Routledge, 2018). She is Principal Investigator of the project WokeIt, <em>Investigating Representation, Inclusivity and Social Responsibility in Rai\u2019s Fiction Audiovisual Productions<\/em> (PRIN 2022 PNRR) and Associated Investigator of the project <em>Circulating Populist Sentiments in 21st Century Film and TV Fiction in Italy<\/em> (PRIN 2022).<\/p>\n<\/div>\n<\/div>\n<p><!-- Researcher 2: Veronica Innocenti --><\/p>\n<div class=\"researcher-card\">\n<div class=\"left-column\">\n<div class=\"researcher-info\"><img decoding=\"async\" src=\"http:\/\/www.narrativecosystems.org\/wp\/wp-content\/uploads\/2024\/11\/veronica-innocenti.jpg\" alt=\"Veronica Innocenti\" \/><\/p>\n<div class=\"text-info\">\n<p><strong>Veronica Innocenti<\/strong><\/p>\n<p>Full Professor<\/p>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"right-column\"><\/div>\n<div class=\"biography\">\n<p>Veronica Innocenti is Full Professor at the University of Bologna, Department of the Arts, where she teaches courses on television history, film and media marketing, fashion, and audiovisual media. Her research is focused on the historical development of television formats, with specific reference to serial narratives. She is also interested in the relationship between media industries and audience reception, with a particular emphasis on gender dynamics. She has extensively written on television series, reality TV, and Italian media adopting an ecosystemic approach. Her most recent publications are <em>La televisione italiana. Storie, generi e linguaggi<\/em> (with Luca Barra and Paola Brembilla, Pearson 2024) and <em>Moda e televisione<\/em> (Carocci, 2025). She is Editor in Chief of <em>SERIES. International Journal of Serial Narratives<\/em> and Editor of <em>Cin\u00e9ma &amp; Cie. Film and Media Studies Journal<\/em>, and she has been a speaker and organizer for many national and international conferences.<\/p>\n<\/div>\n<\/div>\n<p><!-- Researcher 3: Marco Cucco --><\/p>\n<div class=\"researcher-card\">\n<div class=\"left-column\">\n<div class=\"researcher-info\"><img decoding=\"async\" src=\"http:\/\/www.narrativecosystems.org\/wp\/wp-content\/uploads\/2024\/11\/Cucco_BN.jpg\" alt=\"Marco Cucco\" \/><\/p>\n<div class=\"text-info\">\n<p><strong>Marco Cucco<\/strong><\/p>\n<p>Associate Professor<\/p>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"right-column\"><\/div>\n<div class=\"biography\">\n<p>Marco Cucco is Associate Professor at the University of Bologna and Head of the postgraduate Master in Film and Audiovisual Management. He received his PhD in Communication at the Universit\u00e0 della Svizzera Italiana (Switzerland), and he has been a visiting scholar at several universities: City University of New York (USA), Universit\u00e9 de Lorraine (France), University of Leeds (UK), and Universiteit Antwerpen (Belgium). His research interests concern mainly film industry and cultural policy. He has written papers published by international journals like <em>Studies in European Cinema<\/em>, <em>Film Studies<\/em>, <em>European Journal of Communication<\/em>, <em>Journal of Transcultural Communication<\/em>, <em>Journal of Italian Cinema &amp; Media Studies<\/em>, and <em>Media, Culture &amp; Society<\/em> and authored three books. He is currently vice-chair of the Film Studies Section of ECREA (European Communication Research and Education Association) and serves on regional committees for public film financing.<\/p>\n<\/div>\n<\/div>\n<p><!-- Researcher 4: Stefano Guerini Rocco --><\/p>\n<div class=\"researcher-card\">\n<div class=\"left-column\">\n<div class=\"researcher-info\"><img decoding=\"async\" src=\"http:\/\/www.narrativecosystems.org\/wp\/wp-content\/uploads\/2024\/11\/Foto-SGR.jpg\" alt=\"Stefano Guerini Rocco\" \/><\/p>\n<div class=\"text-info\">\n<p><strong>Stefano Guerini Rocco<\/strong><\/p>\n<p>Research Fellow<\/p>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"right-column\"><\/div>\n<div class=\"biography\">\n<p>Stefano Guerini Rocco is a Research Fellow at the University of Bologna, where he collaborates on the project WokeIt, <em>Investigating Representation, Inclusivity and Social Responsibility in Rai\u2019s Fiction Audiovisual Productions<\/em> (PRIN 2022 PNRR). He is also an adjunct professor at the Catholic University of Milan and a lecturer at the SAE Institute of Milan. His research interests include the production of media content for teen audiences across both cinema and television, focusing on examining teen audiences and exploring inclusive narratives within these platforms. He took part in the research project <em>CinCit \u2013 International Circulation of Italian Cinema<\/em> (PRIN 2015) as a visiting researcher at the Universit\u00e0 della Svizzera Italiana. He has participated in several international conferences and published in academic journals like <em>L\u2019Avventura<\/em>, <em>Imago<\/em>, <em>Comunicazioni Sociali<\/em>. He is a member of the editorial team of <em>Series \u2013 International Journal of TV Serial Narratives<\/em>.<\/p>\n<\/div>\n<\/div>\n<p><!-- Researcher 5: Greta Delpanno --><\/p>\n<div class=\"researcher-card\">\n<div class=\"left-column\">\n<div class=\"researcher-info\"><img decoding=\"async\" src=\"http:\/\/www.narrativecosystems.org\/wp\/wp-content\/uploads\/2024\/11\/Greta-Delpanno-BW.jpg\" alt=\"Greta Delpanno\" \/><\/p>\n<div class=\"text-info\">\n<p><strong>Greta Delpanno<\/strong><\/p>\n<p>PhD Student<\/p>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"right-column\"><\/div>\n<div class=\"biography\">\n<p>Greta Delpanno is a Doctoral Candidate in a joint supervision program in \u00e9tudes cin\u00e9matographiques at the Universit\u00e9 de Montr\u00e9al, supervised by Professor Marta Boni, and in Arts, History, and Society at the Universit\u00e0 di Bologna, supervised by Professor Paola Brembilla. Her research, focusing on seriality and gender studies, explores LGBTQIA+ representation in recent Italian TV series on streaming platforms. Specializing in cinema and new media, Delpanno has earned multiple scholarships for international exchanges and was a visiting scholar at California State University, Chico, in 2021. Delpanno has also been an active speaker at several international conferences. She contributes actively to the <em>Labo T\u00e9l\u00e9<\/em> research group, led by Marta Boni at the Universit\u00e9 de Montr\u00e9al, and is involved in the PRIN 2022 PNRR program WokeIt, <em>Investigating Representation, Inclusivity, and Social Responsibility in Rai\u2019s Productions (2015-2022)<\/em>, directed by Paola Brembilla at the University of Bologna.<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\t\t<\/div> \n\t<\/div> \n\n\t\t\t<\/div> \n<p><!-- Universit\u00e0 degli Studi di Urbino Carlo Bo Tab --><br \/>\n\n\t\t\t<div id=\"tab-research_unit2\" class=\"wpb_tab ui-tabs-panel wpb_ui-tabs-hide vc_clearfix\">\n\t\t\t\t\n\n\t<div class=\"wpb_text_column wpb_content_element \">\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<div class=\"researcher-container\">\n<p><!-- Researcher 1: Dominic Holdaway --><\/p>\n<div class=\"researcher-card\">\n<div class=\"left-column\">\n<div class=\"researcher-info\"><img decoding=\"async\" src=\"http:\/\/www.narrativecosystems.org\/wp\/wp-content\/uploads\/2024\/11\/Holdaway.jpg\" alt=\"Dominic Holdaway\" \/><\/p>\n<div class=\"text-info\">\n<p><strong>Dominic Holdaway<\/strong><\/p>\n<p>Associate Professor<\/p>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"right-column\"><\/div>\n<div class=\"biography\">\n<p>Dom Holdaway is an Associate Professor in film, television, and media studies at the University of Urbino, where he teaches undergraduate and postgraduate courses in film history, distribution, and media industries. His main research interests are in the politics of moving images, especially in relation to the distribution and circulation of film and TV. Within the WokeIt project, he is working on the ways that identity politics, representation, and inclusivity are tied to the cultures of film distribution, concentrating in particular on the films that are co-produced by Italian public service broadcaster, via Rai Cinema and 01 Distribution.<\/p>\n<\/div>\n<\/div>\n<p><!-- Researcher 2: Pierandrea Villa --><\/p>\n<div class=\"researcher-card\">\n<div class=\"left-column\">\n<div class=\"researcher-info\"><img decoding=\"async\" src=\"http:\/\/www.narrativecosystems.org\/wp\/wp-content\/uploads\/2024\/11\/Foto-sito-Pierandrea-Villa-scaled.jpg\" alt=\"Pierandrea Villa\" \/><\/p>\n<div class=\"text-info\">\n<p><strong>Pierandrea Villa<\/strong><\/p>\n<p>Research Fellow<\/p>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"right-column\"><\/div>\n<div class=\"biography\">\n<p>Pierandrea Villa received his doctorate in Film and Media Studies at the IULM University of Milan in 2023. In 2022 he participated in the research project <em>Mediamorfosi: transmedialit\u00e0 e traduzione intersemiotica nell\u2019era della convergenza<\/em>. He is currently a Research Fellow at the University of Urbino Carlo Bo and participates in the project WokeIt, <em>Investigating representation, inclusivity and social responsibility in RAI\u2019s fictional audiovisual productions (2015-2022)<\/em>. His main research interests are platform studies, media franchise studies, and critical Internet studies with a focus on user-generated content. His recent publications include <em>Matrix Resurrection, dalle origini alla parodia del racconto transmediale e delle logiche di produzione dei media franchise<\/em>, in \u201cPoli-femo,\u201d n. 27, 2024; <em>Netflix e il fantasma della standardizzazione<\/em>, in \u201cOttoemezzo,\u201d n. 69, 2023; <em>Supereroi, saghe e universi narrativi. L\u2019industria culturale contemporanea tra media franchise e autorialit\u00e0<\/em>, in A. Chiurato (a cura di), <em>Transmedialit\u00e0 e crossmedialit\u00e0. Nuove prospettive<\/em>, Milano: Mimesis, 2022.<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\t\t<\/div> \n\t<\/div> \n\n\t\t\t<\/div> \n<p><!-- Link Campus University Tab --><br \/>\n\n\t\t\t<div id=\"tab-research_unit3\" class=\"wpb_tab ui-tabs-panel wpb_ui-tabs-hide vc_clearfix\">\n\t\t\t\t\n\n\t<div class=\"wpb_text_column wpb_content_element \">\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<div class=\"researcher-container\">\n<p><!-- Researcher 1: Massimiliano Coviello --><\/p>\n<div class=\"researcher-card\">\n<div class=\"left-column\">\n<div class=\"researcher-info\"><img decoding=\"async\" src=\"http:\/\/www.narrativecosystems.org\/wp\/wp-content\/uploads\/2024\/11\/Coviello.jpg\" alt=\"Massimiliano Coviello\" \/><\/p>\n<div class=\"text-info\">\n<p><strong>Massimiliano Coviello<\/strong><\/p>\n<p>Associate Professor<\/p>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"right-column\"><\/div>\n<div class=\"biography\">\n<p>Massimiliano Coviello is a film and media studies Associate Professor at the Link Campus University. His research agenda includes media languages, with a focus on narrative analysis and representation forms, particularly in film and TV series. He is currently the Unit leader of the WokeIt project. He is also a member of the projects <em>Gender Equality through Media Investigation and New Training Insights<\/em> (Cerv European Programme) and <em>Ciak-EU! EU-rope Through Films: History, Identity, and Policies<\/em> (Ciak-EU!), funded by Erasmus+ Jean Monnet Chair. Among his publications are the books: <em>La rivincita dei falliti. Maschere e antieroi in Better Call Saul<\/em> (Edizioni Estemporanee 2023), <em>Comunit\u00e0 seriali. Mondi narrati ed esperienze mediali nelle serie televisive<\/em> (Meltemi 2022), <em>Sensibilit\u00e0 e potere. Il cinema di Pablo Larra\u00edn<\/em> (with F. Zucconi, Pellegrini 2017).<\/p>\n<\/div>\n<\/div>\n<p><!-- Researcher 2: Valentina Re --><\/p>\n<div class=\"researcher-card\">\n<div class=\"left-column\">\n<div class=\"researcher-info\"><img decoding=\"async\" src=\"http:\/\/www.narrativecosystems.org\/wp\/wp-content\/uploads\/2024\/11\/Valentina-RE-e1730753164918.jpg\" alt=\"Valentina Re\" \/><\/p>\n<div class=\"text-info\">\n<p><strong>Valentina Re<\/strong><\/p>\n<p>Full Professor<\/p>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"right-column\"><\/div>\n<div class=\"biography\">\n<p>Valentina Re is Full Professor at Link Campus University. She is currently the PI of the research project <em>The Atlas of Italian \u2018Giallo\u2019: Media History and Popular Culture (1954-2020)<\/em>, funded by the Italian Ministry of University and Research. Her research agenda includes film and literary theory, production and distribution studies, and Italian and European film and television industry. Her most recent books are <em>Peripheral Locations in European TV Crime Series<\/em>, Palgrave Macmillan 2023 (with K. T. Hansen) and <em>Le belle donne ci piacciono. E come! \u00abCinema nuovo\u00bb, cultura comunista e modelli di mascolinit\u00e0 (1952-1958)<\/em>, Diabasis 2021 (with E. Mandelli).<\/p>\n<\/div>\n<\/div>\n<p><!-- Researcher 3: Arianna Vergari --><\/p>\n<div class=\"researcher-card\">\n<div class=\"left-column\">\n<div class=\"researcher-info\"><img decoding=\"async\" src=\"http:\/\/www.narrativecosystems.org\/wp\/wp-content\/uploads\/2024\/11\/FOTO-Arianna-Vergari-e1730753247188.jpeg\" alt=\"Arianna Vergari\" \/><\/p>\n<div class=\"text-info\">\n<p><strong>Arianna Vergari<\/strong><\/p>\n<p>Research Fellow<\/p>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"right-column\"><\/div>\n<div class=\"biography\">\n<p>Arianna Vergari is a Research Fellow at Link Campus University of Rome, where she teaches Film History and Experimental Cinema. As a member of the research project PRIN 2020 <em>The Atlas of Italian Giallo: Media History and Popular Culture (1954-2020)<\/em> and the research project PRIN 2022 PNRR WokeIt, <em>Investigating Representation, Inclusivity and Social Responsibility in Rai\u2019s Fiction Audiovisual Productions (2015-2022)<\/em>, she is working on the representation of female characters in crime narratives within television and cinema. Her other research areas include documentary cinema with a focus on experimental and avant-garde forms, film theory, and analysis. She has published articles in academic journals including <em>Imago<\/em>, <em>SigMa<\/em>, and <em>Fata Morgana<\/em>, and has participated in various national and international conferences. She is about to publish her first monograph <em>Caleidoscopi urbani. Metamorfosi del city symphony film tra modernit\u00e0 e postmodernit\u00e0<\/em> (Mimesis 2024). She also works as a filmmaker and visual education operator in schools.<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\t\t<\/div> \n\t<\/div> \n\n\t\t\t<\/div> \n\n\t\t<\/div> \n\t<\/div> \n\t\t<\/div> \n\t<\/div> \n<\/div>\n\t<div  class=\"vc_row wpb_row vc_row-fluid\">\n\t<div class=\"vc_col-sm-12 wpb_column vc_column_container \">\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t\n\t<div class=\"wpb_text_column wpb_content_element \">\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<h2 class=\"text-centered\">Our Online Exhibition<\/h2>\n\n\t\t<\/div> \n\t<\/div> \n\t\t<\/div> \n\t<\/div> \n<\/div>\n<!-- Online exhibition image that links to external exhibition website --><br \/>\n\t<div  class=\"vc_row wpb_row vc_row-fluid\">\n\t<div class=\"vc_col-sm-12 wpb_column vc_column_container \">\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t\n<a href=\"https:\/\/share.google\/w7wK6VxwHZkgjxnW8\" target=\"_blank\" rel=\"noopener noreferrer\"><br \/>\n<img decoding=\"async\" src=\"http:\/\/www.narrativecosystems.org\/wp\/wp-content\/uploads\/2025\/10\/Gemini_Generated_Image_dal8w9dal8w9dal8.png\" width=\"100%\" \/><br \/>\n<\/a><br \/>\n\n\t\t<\/div> \n\t<\/div> \n<\/div>\n\t<div  class=\"vc_row wpb_row vc_row-fluid\">\n\t<div class=\"vc_col-sm-12 wpb_column vc_column_container \">\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t\n\t<div class=\"wpb_text_column wpb_content_element \">\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<h2 class=\"text-centered\">Outputs<\/h2>\n\n\t\t<\/div> \n\t<\/div> \n\t\t<\/div> \n\t<\/div> \n<\/div>\n\t<div  class=\"vc_row wpb_row vc_row-fluid\">\n\t<div class=\"vc_col-sm-12 wpb_column vc_column_container \">\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t\n\t<div class=\"wpb_tabs wpb_content_element\" data-interval=\"0\">\n\t\t<div class=\"wpb_wrapper wpb_tour_tabs_wrapper ui-tabs vc_clearfix\">\n\t\t\t<ul class=\"wpb_tabs_nav ui-tabs-nav vc_clearfix\"><li><a href=\"#tab-conferences\">Conferences and Workshops<\/a><\/li><li><a href=\"#tab-events\">Events<\/a><\/li><li><a href=\"#tab-publications\">Publications<\/a><\/li><\/ul>\n\n\t\t\t\n<div id=\"tab-conferences\" class=\"wpb_tab ui-tabs-panel wpb_ui-tabs-hide vc_clearfix\">\n\t\t\t\t\n<div class=\"wpb_text_column wpb_content_element \">\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<ul class=\"conference-output-list\" style=\"list-style-type: none; padding: 0;\">\n<li><strong>Massimiliano Coviello and Arianna Vergari<\/strong> (Link Campus University)<br \/>\n     <em>Woke Screens. Una mostra virtuale sulle forme della diversit\u00e0 in Rai Fiction e Cinema<\/em><br \/>\n     \u201cConference Diversit\u00e0, equit\u00e0 e inclusione nei media audiovisivi italiani\u201d<br \/>\n     University of Bologna, October 30-31, 2025.<\/li>\n<li><strong>Stefano Guerini Rocco and Greta Delpanno<\/strong> (University of Bologna)<br \/>\n     <em>Una doppia strategia: risultati e prospettive sulla diversity nella serialit\u00e0 Rai contemporanea<\/em><br \/>\n     \u201cConference Diversit\u00e0, equit\u00e0 e inclusione nei media audiovisivi italiani\u201d<br \/>\n     University of Bologna, October 30-31, 2025.<\/li>\n<li><strong>Dom Holdaway and Pierandrea Villa<\/strong> (University of Urbino)<br \/>\n     <em>Un approfondimento content driven sulle co-produzioni Rai Cinema: risultati e sviluppi futuri<\/em><br \/>\n     \u201cConference Diversit\u00e0, equit\u00e0 e inclusione nei media audiovisivi italiani\u201d<br \/>\n     University of Bologna, October 30-31, 2025.<\/li>\n<li><strong>Arianna Vergari and Paola De Rosa<\/strong> (Link Campus University)<br \/>\n     <em>\u201cNot just a dead girl\u201d. Violenza di genere e costruzione simbolica della vittima nella crime fiction Rai (2020 \u2014 2025)<\/em><br \/>\n     \u201cConference Diversit\u00e0, equit\u00e0 e inclusione nei media audiovisivi italiani\u201d<br \/>\n     University of Bologna, October 30-31, 2025.<\/li>\n<li><strong>Valentina Re<\/strong> (Link Campus University)<br \/>\n     <em>Dal diversity washing alla brand diversity: pratiche e aporie della diversit\u00e0 nell\u2019epoca dello streaming<\/em><br \/>\n     \u201cConference Diversit\u00e0, equit\u00e0 e inclusione nei media audiovisivi italiani\u201d<br \/>\n     University of Bologna, October 30-31, 2025.<\/li>\n<li><strong>Paola Brembilla<\/strong> (University of Bologna)<br \/>\n     <em>WokeIt \u2013 Investigating representation, inclusivity and social responsibility in RAI\u2019s fictional audiovisual productions (2015- 2022)<\/em><br \/>\n     \u201cCUC Conference &#8211; Lo stato e il futiro della ricerca. PRIN 2022 e prospettive emergenti: il contributo dell&#8217;area PEMM-01\/B\u201d<br \/>\n     University Ca&#8217; Foscari of Venice, October 9, 2025.<\/li>\n<li><strong>Stefano Guerini Rocco and Greta Delpanno<\/strong> (University of Bologna)<br \/>\n     <em>From Netflix to RaiPlay: The Rise of Teen Drama in Contemporary Italian Television<\/em><br \/>\n     \u201cECREA Film Studies and Television Studies Sections 2025 Conference Film and Television\u2019s Transformations in the Streaming Era. Reconceiving Aesthetics, Narratives and Forms\u201d<br \/>\n     University of Bologna, September 8-9, 2025.<\/li>\n<li><strong>Paola Brembilla and Stefano Guerini Rocco<\/strong> (University of Bologna)<br \/>\n     <em>Mappare la diversity nella serialit\u00e0 Rai: sfide, metodi e risultati<\/em><br \/>\n     \u201cDoctoral Seminar at the PhD Programme Arts, History, Society\u201d<br \/>\n     University of Bologna, May 22, 2025.<\/li>\n<li><strong>Paola Brembilla and Stefano Guerini Rocco<\/strong> (University of Bologna)<br \/>\n     <em>Rappresentazioni inclusive: la Rai tra streaming e prime-time<\/em><br \/>\n     \u201cWorkshop Cinema e serialit\u00e0 italiana tra diversit\u00e0 e inclusione: rappresentazioni, politiche e pratiche\u201d<br \/>\n     Link Campus University, May 29-30, 2025.<\/li>\n<li><strong>Dom Holdaway and Pierandrea Villa<\/strong> (University of Urbino)<br \/>\n     <em>Produzione, distribuzione e consumo della diversity attorno ai prodotti di Rai Cinema<\/em><br \/>\n     \u201cWorkshop Cinema e serialit\u00e0 italiana tra diversit\u00e0 e inclusione: rappresentazioni, politiche e pratiche\u201d<br \/>\n     Link Campus University, May 29-30, 2025.<\/li>\n<li><strong>Arianna Vergari and Paola De Rosa<\/strong> (Link Campus University)<br \/>\n     <em>Le donne del crime Rai (2015-2025): protagoniste sullo schermo e dietro le quinte<\/em><br \/>\n     \u201cWorkshop Cinema e serialit\u00e0 italiana tra diversit\u00e0 e inclusione: rappresentazioni, politiche e pratiche\u201d<br \/>\n     Link Campus University, May 29-30, 2025.<\/li>\n<li><strong>Stefano Guerini Rocco<\/strong> (University of Bologna)<br \/>\n     <em>Non solo Netflix: forme, pratiche e retoriche dell\u2019inclusione nella serialit\u00e0 italiana contemporanea<\/em><br \/>\n     Masterclass at the Milano Film Fest<br \/>\n     Milan, June 5, 2025.<\/li>\n<li><strong>Paola Brembilla and Stefano Guerini Rocco<\/strong> (University of Bologna)<br \/>\n     <em>New Girl(hood). Diversity, Inclusion, and Generational Audiences in Rai\u2019s TV Series<\/em><br \/>\n     \u201cInternational Conference Gemini-scapes. Detecting the Interplay between Serial Dramas, Gender Issues and European Young Audiences\u201d<br \/>\n     Link Campus University, April 10-11, 2025.<\/li>\n<li><strong>Pierandrea Villa<\/strong> (University of Urbino)<br \/>\n     <em>To Whom Diversity Matters. Understanding the Relevance of Diversity among Young Audiences<\/em><br \/>\n     \u201cInternational Conference Gemini-scapes. Detecting the Interplay between Serial Dramas, Gender Issues and European Young Audiences\u201d<br \/>\n     Link Campus University, April 10-11, 2025.<\/li>\n<li><strong>Massimiliano Coviello<\/strong> (Link Campus University)<br \/>\n     <em>Educational Tools for Inclusion and Diversity in Rai\u2019s TV Series: Comparing Two Media Education Workshops<\/em><br \/>\n     \u201cInternational Conference Gemini-scapes. Detecting the Interplay between Serial Dramas, Gender Issues and European Young Audiences\u201d<br \/>\n     Link Campus University, April 10-11, 2025.<\/li>\n<li><strong>Stefano Guerini Rocco<\/strong> (University of Bologna)<br \/>\n     <em>Da Netflix a RaiPlay: le rappresentazioni inclusive nel teen drama italiano<\/em><br \/>\n     Guest lecture within the course \u201cMedia &#038; Gender\u201d (Prof. Maria Elena D\u2019Amelio)<br \/>\n     Universit\u00e0 degli Studi della Repubblica di San Marino, April 3, 2025.<\/li>\n<li><strong>Paola Brembilla<\/strong> (University of Bologna)<br \/>\n     <em>Family, Religion and Comedy in Bangla \u2013 La serie<\/em><br \/>\n     Guest lecture within the course \u201cFamily Matters in Italian Film and Literature\u201d (Prof. Mattia Mossali)<br \/>\n     Dickinson College (Carlisle, PA, USA), March 21, 2025.<\/li>\n<li><strong>Paola Brembilla<\/strong> (University of Bologna)<br \/>\n     <em>Italian Television and Family. From Tradition to Multiculturalism<\/em><br \/>\n     Guest lecture within the course \u201cFamily Matters in Italian Film and Literature\u201d (Prof. Mattia Mossali)<br \/>\n     Dickinson College (Carlisle, PA, USA), March 17, 2025.<\/li>\n<li><strong>Paola Brembilla<\/strong> (University of Bologna)<br \/>\n     <em>Two Platforms, Two Narratives: Representing Gen Z in Rai\u2019s Teen Dramas across Broadcasting and Streaming<\/em><br \/>\n     at Performance\/Surviving\/Resisting \u201cAAIS annual conference\u201d<br \/>\n     University of Pennsylvania, March 12-16, 2025.<\/li>\n<li><strong>Paola Brembilla<\/strong> (University of Bologna)<br \/>\n     <em>Ruoli di genere e cucina nella serialit\u00e0 italiana: stereotipi e trasformazioni<\/em><br \/>\n     \u201cConference Che fai, mangi? Cucina, gastronomia e storia della televisione in Italia\u201d<br \/>\n     Universit\u00e0 degli Studi di Torino, February 19-20, 2025<\/li>\n<li><strong>Paola Brembilla and Stefano Guerini Rocco<\/strong> (University of Bologna)<br \/>\n     <em>Mappare la diversity nella serialit\u00e0 Rai: dati, tendenze, risultati.<\/em><br \/>\n     Workshop &#8220;Ripensare &#8216;DEI&#8217; nei media audiovisivi. Studiare la rappresentazione e l&#8217;inclusivit\u00e0 nell&#8217;Italia di oggi&#8221;<br \/>\n     Universit\u00e0 degli Studi di Urbino Carlo Bo, January 16-17, 2025.<\/li>\n<li><strong>Massimiliano Coviello<\/strong> (Link Campus University)<br \/>\n     <em>Sguadi &#8220;altri&#8221; nel cinema italiano contemporaneo: fenomeni migratori e seconde generazioni in alcune produzioni Rai.<\/em><br \/>\n     Workshop &#8220;Ripensare &#8216;DEI&#8217; nei media audiovisivi. Studiare la rappresentazione e l&#8217;inclusivit\u00e0 nell&#8217;Italia di oggi&#8221;<br \/>\n     Universit\u00e0 degli Studi di Urbino Carlo Bo, January 16-17, 2025.<\/li>\n<li><strong>Dom Holdaway and Pierandrea Villa<\/strong> (Univeristy of Urbino)<br \/>\n     <em>Mappare la diversity nelle coproduzioni Rai Cinema: tendenze e criticit\u00e0.<\/em><br \/>\n     Workshop &#8220;Ripensare &#8216;DEI&#8217; nei media audiovisivi. Studiare la rappresentazione e l&#8217;inclusivit\u00e0 nell&#8217;Italia di oggi&#8221;<br \/>\n     Universit\u00e0 degli Studi di Urbino Carlo Bo, January 16-17, 2025.<\/li>\n<li><strong>Stefano Guerini Rocco<\/strong> (University of Bologna)<br \/>\n     <em>Beyond Netflix. Investigating Inclusivity in Rai\u2019s Fiction Audiovisual Productions<\/em><br \/>\n     The American University of Rome, November 11, 2024.<\/li>\n<li><strong>Massimiliano Coviello<\/strong> (Link Campus University)<br \/>\n     <em>Diversity and its representation strategies in Rai TV Series.<\/em><br \/>\n     Workshop Ethics and Politics of TV Series<br \/>\n     Sapienza Universit\u00e0 di Roma, September 30-October 1, 2024.<\/li>\n<li><strong>Paola Brembilla<\/strong> (University of Bologna)<br \/>\n     <em>Investigating representation, inclusivity, and social responsibility in Rai\u2019s fiction audiovisual productions.<\/em><br \/>\n     Workshop Ethics and Politics of TV Series<br \/>\n     Sapienza Universit\u00e0 di Roma, September 30-October 1, 2024.<\/li>\n<li><strong>Paola Brembilla<\/strong> and <strong>Stefano Guerini Rocco<\/strong> (University of Bologna)<br \/>\n     <em>La fiction Rai tra brand integration e social washing: i casi di Doc 3 e Mare fuori 4.<\/em><br \/>\n     Conference Screen Cultures Reloaded. Parole chiave per la ricerca sui media in Italia<br \/>\n     Universit\u00e0 degli Studi di Urbino Carlo Bo, July 10-11, 2024.<\/li>\n<li><strong>Greta Delpanno<\/strong> (University of Bologna)<br \/>\n     <em>Netflix and Queer Content: Does the Platform Favor LGBTQ+ Products?<\/em><br \/>\n     International Conference Representation of Diversity in Mediated Popular Culture in the Twenty-First Century<br \/>\n     Rotterdam University, June 10-11, 2024.<\/li>\n<li><strong>Valentina Re<\/strong> (Link Campus University)<br \/>\n     <em>Women\u2019s On-Screen Representation and Behind-the-Scenes Employment in Italian TV Crime Drama.<\/em><br \/>\n     International Conference Representation of Diversity in Mediated Popular Culture in the Twenty-First Century<br \/>\n     Rotterdam University, June 10-11, 2024.<\/li>\n<li><strong>Dom Holdaway<\/strong> (University of Urbino) &amp; <strong>Pierandrea Villa<\/strong> (University of Urbino)<br \/>\n     <em>The Impact of Diversity Agendas in Distribution and Circulation: Between Public Service Mandates and Political Content.<\/em><br \/>\n     International Conference Representation of Diversity in Mediated Popular Culture in the Twenty-First Century<br \/>\n     Rotterdam University, June 10-11, 2024.<\/li>\n<li><strong>Massimiliano Coviello<\/strong> (Link Campus University)<br \/>\n     <em>Researching Diversity and its Representation Strategies in the Italian Public Broadcasting Service: the case of La Storia.<\/em><br \/>\n     International Conference Representation of Diversity in Mediated Popular Culture in the Twenty-First Century<br \/>\n     Rotterdam University, June 10-11, 2024.<\/li>\n<li><strong>Paola Brembilla<\/strong> (University of Bologna)<br \/>\n     <em>Investigating Representation, Inclusivity and Social Responsibility in the Fictional Audiovisual Productions of the Italian Public Broadcasting Service.<\/em><br \/>\n     International Conference Representation of Diversity in Mediated Popular Culture in the Twenty-First Century<br \/>\n     Rotterdam University, June 10-11, 2024.<\/li>\n<li><strong>Stefano Guerini Rocco<\/strong> (University of Bologna)<br \/>\n     <em>Sulla soglia del trash. Rappresentazioni inclusive nelle produzioni seriali Rai contemporanee.<\/em><br \/>\n     Conference \u201c[\u2026] cose di pessimo gusto\u201d. Storia e fenomenologia del trash nelle sue manifestazioni spettacolari, cinematografiche, mediali e musicali contemporanee.<br \/>\n     Universit\u00e0 degli Studi di Torino, May 27-29, 2024.<\/li>\n<li><strong>Massimiliano Coviello<\/strong> (Link Campus University)<br \/>\n     <em>WokeIt. Investigating Representation, Inclusivity and Social Responsibility in Rai\u2019s Fictional Audiovisual Productions (2015-2022)<\/em><br \/>\n     Workshop Metodologie e spazi della ricerca sui media<br \/>\n     Link Campus University, November 21, 2023.<\/li>\n<\/ul>\n\n\t\t<\/div> \n\t<\/div> \n \n\t\t\t<\/div> \n<div id=\"tab-events\" class=\"wpb_tab ui-tabs-panel wpb_ui-tabs-hide vc_clearfix\">\n\t\t\t\t\n \n\t<div class=\"wpb_text_column wpb_content_element \">\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<ul class=\"conference-output-list\" style=\"list-style-type: none; padding: 0;\">\n<li><em><br \/>\nConference &#8220;Diversit\u00e0, equit\u00e0 e inclusione nei media audiovisivi italiani&#8221;<br \/>\n <\/em><br \/>\nUniversity of Bologna, October 30-31, 2025.<\/li>\n<li><em><br \/>\nWorkshop &#8220;Cinema e serialit\u00e0 italiana tra diversit\u00e0 e inclusione: rappresentazioni, politiche e pratiche&#8221;<br \/>\n <\/em><br \/>\nLink Campus University, May 29-30, 2025.<\/li>\n<li><em><br \/>\n Workshop &#8220;Ripensare &#8216;DEI&#8217; nei media audiovisivi. Studiare la rappresentazione e l&#8217;inclusivit\u00e0 nell&#8217;Italia di oggi&#8221;<br \/>\n <\/em><br \/>\n Universit\u00e0 degli Studi di Urbino Carlo Bo, January 16-17, 2025.<\/li>\n<li><em><br \/>\n PTCO &#8220;Che cos\u2019\u00e8 una narrazione seriale? Impariamo a costruire storie inclusive&#8221;<br \/>\n <\/em><br \/>\n Link Campus University, January 8-9-10 and 29-30-31, 2025.<\/li>\n<li><em><br \/>\n &#8220;Un professore&#8221;. A Conversation with Davide Sala (story editor) and Valentina Gaddi (writer)<br \/>\n <\/em><br \/>\n University of Bologna, December 9, 2024.<\/li>\n<li><em>&#8220;Doc &#8211; Nelle tue mani&#8221;. A Conversation with Francesco Arlanch and Viola Rispoli (head writers)<\/em><br \/>\n University of Bologna, December 2, 2024.<\/li>\n<li><em>Sulle tracce dell&#8217;altro tra sguardi, archivi e memorie. A conversation with Andrea Segre<\/em><br \/>\n Link Campus University, November 27, 2024.<\/li>\n<li><em>Comunit\u00e0 seriali: strategie di inclusione nella fiction Rai. Rappresentazioni inclusive e logiche interattive: studenti ed esperti a confronto<\/em><br \/>\n Workshop in collaboration with Festival Citt\u00e0 delle Cento Scale (Potenza), November 14-15, 2024.<\/li>\n<li><em>A Conversation with Ludovico Bessegato<\/em><br \/>\n University of Bologna, October 18, 2024.<\/li>\n<li><em>A Conversation with Ivan Silvestrini<\/em><br \/>\n University of Bologna, October 11, 2024.<\/li>\n<li><em>A Conversation with Giampiero Rigosi and Carlo Lucarelli<\/em><br \/>\n University of Bologna, June 4, 2024.<\/li>\n<\/ul>\n\n\t\t<\/div> \n\t<\/div> \n \n\t\t\t<\/div> \n<div id=\"tab-publications\" class=\"wpb_tab ui-tabs-panel wpb_ui-tabs-hide vc_clearfix\">\n\t\t\t\t\n \n\t<div class=\"wpb_text_column wpb_content_element \">\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<ul class=\"conference-output-list\" style=\"list-style-type: none; padding: 0;\">\n<li><strong>Stefano Guerini Rocco<\/strong> (University of Bologna)<br \/>\n    <em>Sulla soglia del trash. Rappresentazioni inclusive nelle produzioni seriali Rai contemporanee<\/em>, in M. Tamborrino, A. Zardi (a cura di), Estetiche del trash. Atti del convegno \u00ab[\u2026] cose di pessimo gusto\u00bb. Storia e fenomenologia del trash nelle sue manifestazioni spettacolari, cinematografiche, mediali e musicali contemporanee, 2025,<br \/>\n    <a href=\"https:\/\/sites.google.com\/unito.it\/estetiche-del-trash\" target=\"_blank\" rel=\"noopener noreferrer\">https:\/\/sites.google.com\/unito.it\/estetiche-del-trash<\/a><\/li>\n<li>\n    <strong>Massimiliano Coviello<\/strong><br \/>\n    <em>Comunit\u00e0 seriali<\/em>, &#8220;Il Bellese&#8221;, n. 169, pp. 20-21.\n    <\/li>\n<\/ul>\n\n\t\t<\/div> \n\t<\/div> \n \n\t\t\t<\/div> \n<p> \n\t\t<\/div> \n\t<\/div> \n\t\t<\/div> \n\t<\/div> \n<\/div>\n<p><!--\n[vc_row][vc_column][vc_column_text]\n\n\n<h2 class=\"text-centered\">Data<\/h2>\n\n\n[\/vc_column_text][\/vc_column][\/vc_row]\n\n[vc_row]\n[vc_column width=\"1\/3\"]\n\n\n<div class=\"card clickable-card\">\n\n<img decoding=\"async\" src=\"http:\/\/www.narrativecosystems.org\/wp\/wp-content\/uploads\/2024\/10\/graphs.jpg\" alt=\"Graph\" \/>\n\n\n<h4>Graph Analysis<\/h4>\n\n\nClick to explore detailed graph analysis.\n\n<\/div>\n\n\n[\/vc_column]\n\n[vc_column width=\"1\/3\"]\n\n\n<div class=\"card clickable-card\">\n\n<img decoding=\"async\" src=\"http:\/\/www.narrativecosystems.org\/wp\/wp-content\/uploads\/2024\/10\/tables.jpg\" alt=\"tables\" \/>\n\n\n<h4>Data Table<\/h4>\n\n\nClick to explore detailed tables about our research.\n\n<\/div>\n\n\n[\/vc_column]\n\n[vc_column width=\"1\/3\"]\n\n\n<div class=\"card clickable-card\">\n\n<img decoding=\"async\" src=\"http:\/\/www.narrativecosystems.org\/wp\/wp-content\/uploads\/2024\/10\/vido.jpg\" alt=\"Video\" \/>\n\n\n<h4>Video Interview<\/h4>\n\n\nClick to watch the video interviews.\n\n<\/div>\n\n\n[\/vc_column]\n[\/vc_row]--><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Download Program (IT) Download Flyer (IT) Download PDF (IT)<\/p>\n","protected":false},"author":4,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"categories":[],"tags":[],"_links":{"self":[{"href":"https:\/\/www.narrativecosystems.org\/wp\/wp-json\/wp\/v2\/pages\/5558"}],"collection":[{"href":"https:\/\/www.narrativecosystems.org\/wp\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.narrativecosystems.org\/wp\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.narrativecosystems.org\/wp\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.narrativecosystems.org\/wp\/wp-json\/wp\/v2\/comments?post=5558"}],"version-history":[{"count":168,"href":"https:\/\/www.narrativecosystems.org\/wp\/wp-json\/wp\/v2\/pages\/5558\/revisions"}],"predecessor-version":[{"id":6124,"href":"https:\/\/www.narrativecosystems.org\/wp\/wp-json\/wp\/v2\/pages\/5558\/revisions\/6124"}],"wp:attachment":[{"href":"https:\/\/www.narrativecosystems.org\/wp\/wp-json\/wp\/v2\/media?parent=5558"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.narrativecosystems.org\/wp\/wp-json\/wp\/v2\/categories?post=5558"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.narrativecosystems.org\/wp\/wp-json\/wp\/v2\/tags?post=5558"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}