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Author |
Title |
Year  |
Publication |
Keywords |
Volume |
Pages |
Links |
|
|
Boisvert, Stéfany |
La Notion de qualité télévisuelle dans la production fictionelle britannique |
2012 |
Cinéma & Cie. |
Quality TV; UK |
XII/19 |
51-60 |
|
|
|
Tralli, Lucia |
There's Nothing Like an English Summer, Is There? Except and English Winter. Downton Abbey, A British Cult TV Series and Its Fandom |
2012 |
Cinéma & Cie. |
Downton Abbey; Fandom Studies; |
XII/19 |
61-72 |
|
|
|
Agger, Gunhild |
Nordic Noir on Television:The Killing I-III |
2012 |
Cinéma & Cie. |
Nordic Noir; Production; Scandinavia; 2000- |
XII/19 |
39-50 |
|
|
|
Innocenti, Veronica |
Introduction |
2012 |
Cinéma & Cie. |
TV series; Europe; 2000- |
XII/19 |
9-14 |
|
|
|
Papin, Bernard |
Nicolas Le Floch, un bon produit <<ö l'export>>? Rflections sur la diffusion et la rception internationale d'une s_rie historique (très) française... |
2012 |
Cinéma & Cie. |
Nicolas Le Floch; Production; France; |
XII/19 |
15-24 |
|
|
|
Valentini, Paola |
Whodonit? Rai TV Fiction Production Between Detection andGiallo |
2012 |
Cinéma & Cie. |
Rai Fiction; Genre; Production; Italy; |
XII/19 |
25-38 |
|
|
|
Dusi, Nicola |
Remaking as a Practice: Some Problems of Transmediality |
2012 |
Cinéma & Cie. |
Remake; Transmediality; |
XII/18 |
115-130 |
|
|
|
Richards, Jill |
Berlin Alexanderplatz's Serial Women |
2013 |
Camera Obscura |
Berlin Alexanderplatz; Female Characters; |
84 (28.3) |
mar-84 |
|
|
|
Butler, Jeremy |
Statistical Analysis of Television Style: What Can Numbers Tell Us about TV Editing? |
2014 |
Cinema Journal |
TV; TV Editing; Statistical Analysis; TV Style; |
54.1 |
25-44 |
|
|
|
Hunting, Kyra |
Furiously Franchised:Clueless, Convergence Culture, and the Female-Focused Franchise |
2014 |
Cinema Journal |
Clueless; Franchise; |
53.3 |
145-151 |
|
|
|
O'Meara, Jennifer |
“We've Got to Work on Your Accent and Vocabulary”: Characterization throguh Verbal Style inClueless |
2014 |
Cinema Journal |
Clueless; Verbal Style; |
53.3 |
138-145 |
|
|
|
Ieppert, Alice |
Can I Please Give You Some Advice?Cluelessand the Teen Makeover |
2014 |
Cinema Journal |
Clueless; Teen Studies; |
53.3 |
131-137 |
|
|
|
Aslinger, Ben |
Clueless about Listening Formations? |
2014 |
Cinema Journal |
Clueless; Audience; |
53.3 |
126-131 |
|
|
|
Lenos, Melissa |
Introduction:Clueless |
2014 |
Cinema Journal |
Clueless; Franchise; |
53.3 |
123-126 |
|
|
|
Joyrich, Lynne |
Queer Television Studies: Currents, Flows, and (Main)streams |
2014 |
Cinema Journal |
TV; Queer Studies; |
53.2 |
133-139 |
|
|
|
Smit, Alexia |
Care, Shame, and Intimacy: Reconsidering the Pleasures of Plastic Surgery Reality Television |
2014 |
Camera Obscura |
Reality TV; Pleasure; Intimacy; |
86 (29.2) |
59-83 |
|
|
|
Shapiro, Stephen |
Homeland's Crisis of Middle-Class Transformation |
2015 |
Cinema Journal |
Homeland; |
54.4 |
152-158 |
|
|
|
Bevan, Alex |
The National Body, Women, and Mental Health in Homeland |
2015 |
Cinema Journal |
Homeland; Gender Studies |
54.4 |
145-151 |
|
|
|
Castonguay, James |
Fictions of Terror: Complexity, Complicity and Insecurity inHomeland |
2015 |
Cinema Journal |
Homeland; Terror TV; |
54.4 |
139-145 |
|
|
|
Negra, Diane; Lagerwey, Jorie; |
AnalyzingHomeland: Introduction |
2015 |
Cinema Journal |
Homeland; |
54.4 |
126-131 |
|
