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Author |
Title |
Year  |
Publication |
Keywords |
Volume |
Pages |
Links |
|
|
Nichols-Pethick, Jonathan |
Going with the Flow: On the Value of Randomness, Flexibility, and Getting Students In on the Conversation, or What I learned from Antoine Dodson |
2011 |
Cinema Journal |
TV; Teaching TV; |
50.4 |
182-187 |
|
|
|
Havens, Timothy |
Teaching the Lone Television Studies Graduate Seminar |
2011 |
Cinema Journal |
TV; Teaching TV; |
50.4 |
172-177 |
|
|
|
Kraszewski, Jon |
Hybridity, History, and the Identity of the Television Studies Teacher |
2011 |
Cinema Journal |
TV; Teaching TV; |
50.4 |
166-172 |
|
|
|
Kompare, Derek |
Filling the Box: Television in Higher Education |
2011 |
Cinema Journal |
TV; Teaching TV; |
50.4 |
161-165 |
|
|
|
Tinic, Serra |
Introduction: Teaching Television in a Postnetwork Era |
2011 |
Cinema Journal |
TV; Teaching TV; |
50.4 |
157-160 |
|
|
|
Garrison, Lindsay H. |
Defining Television Excellence “On Its Own Terms”. The Peabody Award and Negotiating Doscourses of Quality |
2011 |
Cinema Journal |
TV; Quality TV; |
50.2 |
160-165 |
|
|
|
Nichols-Pethick, Jonathan |
Nobody with a Good Script Needs to Be Justified |
2011 |
Cinema Journal |
TV; Writing; |
50.2 |
153-159 |
|
|
|
Henderson, Felicia D. |
The Culture Behind Closed Doors: Issues of Gender and Race in the Writer's Room |
2011 |
Cinema Journal |
TV; Gender studies; Race; |
50.2 |
145-152 |
|
|
|
Kessler, Kelly |
They Should Suffer Like the Rest of Us: Queer Equality in Narrative Mediocrity |
2011 |
Cinema Journal |
TV; Queer Studies; |
50.2 |
139-144 |
|
|
|
Perren, Alisa |
In Conversation: Creativity in the Contemporary Cable Industry |
2011 |
Cinema Journal |
TV; Creativity; |
50.2 |
132-138 |
|
|
|
Ross, Sharon Marie |
Introduction: Writing and Producing TV in the Post-Network Era |
2011 |
Cinema Journal |
TV; Production; |
50.2 |
128-131 |
|
|
|
Orr Vered, Karen; McConchie, John; |
The Politics of Third Way TV:Supernannyand the Commercialization of Public Service TV |
2011 |
Camera Obscura |
Supernanny; Public Service TV; |
77 (26.2) |
33-63 |
|
|
|
Johnson, Derek |
Cinematic Destiny: Marvel Studios and the Trade Stories of Industrial Convergence |
2012 |
Cinema Journal |
Marvel; Cinema; |
52.1 |
gen-24 |
|
|
|
Tasker, Yvonne |
Television Crime Drama and Homeland Security: FromLaw & Orderto “Terror TV” |
2012 |
Cinema Journal |
TV; Terror TV; |
51.4 |
44-65 |
|
|
|
Kustritz, Anne |
Breeding Unity:Battlestar Galactica's Biracial Reproductive Futurity |
2012 |
Camera Obscura |
Battlestar Galactica; Race; Reproduction; |
81 (27.3) |
gen-37 |
|
|
|
Fan, Victor |
The Poetics of Addiction: Stardom, “Feminized” Spectatorship, and Interregional Business Relations in theTwilightSeries |
2012 |
Camera Obscura |
Twilight; Stardom; Spectatroship; |
79 (27.1) |
31-67 |
|
|
|
Ryan, Marie Laurie |
Transmedial Storytelling and Transfictionality |
2012 |
Poetics Today |
Storytelling; Transmediality; |
34:03:00 |
361-388 |
|
|
|
Szostak, Sylwia |
Imitation, Borrowing, Recycling. American Models and Polish Domestic Drama |
2012 |
Cinéma & Cie. |
Transnationalism; Poland; |
XII/19 |
73-92 |
|
|
|
Pekman, Cem; Tüzün, Selin; |
Turkish Television Dramas: The Economy and Beyond |
2012 |
Cinéma & Cie. |
Television Drama; Economy; Turkey; |
XII/19 |
93-104 |
|
|
|
Diego, Patricia; del Mar Grandío, María; |
The Production of TV Fiction Adaptations in Spain (1950-2012) |
2012 |
Cinéma & Cie. |
TV Fiction; Adaptations; Spain; '1950-2012 |
XII/19 |
105-116 |
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