| Author |
Title |
Year  |
Publication |
Keywords |
Volume |
Pages |
| Lu, Sheldon |
Soap Opera in China: The Transnational Politics of Visuality, Sexuality, and Masculinity |
2000 |
Cinema Journal |
Soap Operas; Nationalism; Masculinity; |
40.1 |
25-47 |
| Burns, Christy L. |
Erasure: Alienation, Paranoia, and the Loss of Memory inThe X-Files |
2000 |
Camera Obscura |
X-Files; Memory; Paranoia; US; 1993-2002. 2016- |
45 (15.3) |
194-219 |
| Mittell, Jason |
A Cultural Approach to Television Genre Theory |
2001 |
Cinema Journal |
TV; Genre; Cultural Studies; |
40.3 |
mar-24 |
| Wang, Shujen |
Recontextualizing Copyright: Piracy, Hollywood, the State, and Globalization |
2003 |
Cinema Journal |
Cinema; Copyright; Piracy; |
43.1 |
25-43 |
| Klastrup, Lisbeth; Tosca, Susana; |
Transmedial Worlds: Rethinking Cyberworld Design |
2004 |
Proceedings CW '04 |
Cyberworlds; Transmediality; |
|
409-416 |
| Hilmes, Michele |
The Bad Object: Television in the American Academy |
2005 |
Cinema Journal |
TV; TV Studies; |
45.1 |
111-116 |
| Newcomb, Horace |
Studying Television: Same Questions, Different Contexts |
2005 |
Cinema Journal |
TV; TV Studies; |
45.1 |
107-111 |
| Hartley, John |
Is Screen Studies a Load of Old Cobblers? And If So, Is That Good? |
2005 |
Cinema Journal |
TV; TV Studies; |
45.1 |
101-106 |
| Miller, Toby |
Turn Off TV Studies! |
2005 |
Cinema Journal |
TV; TV Studies; |
45.1 |
98-101 |
| Caldwell, John Thornton |
Welcome to the Viral Future of Cinema (Television) |
2005 |
Cinema Journal |
TV; TV Studies; |
45.1 |
90-97 |
| Spigel, Lynn |
TV's Next Season? |
2005 |
Cinema Journal |
TV; TV Studies; |
45.1 |
83-90 |
| Boddy, William |
In Focus: The Place of Television Studies |
2005 |
Cinema Journal |
TV; TV Studies; |
45.1 |
79-82 |
| Wlodarz, Jow |
Maximum Insecurity: Genre Trouble and Closet Erotics in and out of HBO'sOz |
2005 |
Camera Obscura |
Oz; Genre; Closet Erotics; US; 1997-2003 |
58 (20.1) |
59-105 |
| Mittell, Jason |
Narrative Complexity in Contemporary American Television |
2006 |
The Velvet Light Trap |
Narrative; Complexity; TV Series; |
58 |
29-40 |
| Newman, Michael Z. |
From Beats to Arcs: Toward a Poetics of Television Narrative |
2006 |
The Velvet Light Trap |
Narrative; Arcs; TV Series; |
58 |
16-28 |
| Stenger, Josh |
The Clothes Make the Fan: Fashion and Online Fandom whenBufy the Vampire SlayerGoes to eBay |
2006 |
Cinema Journal |
Buffy the Vampire Slayer; Costumes; Fandom Studies; |
45.4 |
26-44 |
| Hendershot, Heather |
The Good, the Bad, and the Ugly: FromBuffy the Vampire SlayertoDr. 90210 |
2006 |
Camera Obscura |
TV series; Gender studies; US; |
61 (21.1) |
47-51 |
| Thompson, Ethan |
Comedy Verit_? The Observational Documentary Meets the Televisual Sitcom |
2007 |
The Velvet Light Trap |
Television Comedies; Arrested Development; Curb Your Enthusiasm; |
60 |
63-72 |
| Moore, Candace |
Having It All Ways: The Tourist, the Traveler, and the Local inThe L Word |
2007 |
Cinema Journal |
The L Word; Gender studies; Lesbian studies; |
46.4 |
mar-22 |
| Kompare, Derek |
Remapping Media and Media Studies |
2008 |
The Velvet Light Trap |
Media; |
62 |
70-71 |
