| |
Author |
Title  |
Year |
Publication |
Keywords |
Volume |
Pages |
Links |
|
|
Newman, Michael Z. |
From Beats to Arcs: Toward a Poetics of Television Narrative |
2006 |
The Velvet Light Trap |
Narrative; Arcs; TV Series; |
58 |
16-28 |
|
|
|
Hunting, Kyra |
Furiously Franchised:Clueless, Convergence Culture, and the Female-Focused Franchise |
2014 |
Cinema Journal |
Clueless; Franchise; |
53.3 |
145-151 |
|
|
|
Nichols-Pethick, Jonathan |
Going with the Flow: On the Value of Randomness, Flexibility, and Getting Students In on the Conversation, or What I learned from Antoine Dodson |
2011 |
Cinema Journal |
TV; Teaching TV; |
50.4 |
182-187 |
|
|
|
Moore, Candace |
Having It All Ways: The Tourist, the Traveler, and the Local inThe L Word |
2007 |
Cinema Journal |
The L Word; Gender studies; Lesbian studies; |
46.4 |
mar-22 |
|
|
|
Shapiro, Stephen |
Homeland's Crisis of Middle-Class Transformation |
2015 |
Cinema Journal |
Homeland; |
54.4 |
152-158 |
|
|
|
Kraszewski, Jon |
Hybridity, History, and the Identity of the Television Studies Teacher |
2011 |
Cinema Journal |
TV; Teaching TV; |
50.4 |
166-172 |
|
|
|
Szostak, Sylwia |
Imitation, Borrowing, Recycling. American Models and Polish Domestic Drama |
2012 |
Cinéma & Cie. |
Transnationalism; Poland; |
XII/19 |
73-92 |
|
|
|
Perren, Alisa |
In Conversation: Creativity in the Contemporary Cable Industry |
2011 |
Cinema Journal |
TV; Creativity; |
50.2 |
132-138 |
|
|
|
Boddy, William |
In Focus: The Place of Television Studies |
2005 |
Cinema Journal |
TV; TV Studies; |
45.1 |
79-82 |
|
|
|
Nakamura, Lisa |
Interfaces of Identity: Oriental Traitors and Telematic Profiling in24 |
2009 |
Camera Obscura |
24; Identity; Race; US; 2001-2014 |
70 (24.1) |
109-133 |
|
|
|
Innocenti, Veronica |
Introduction |
2012 |
Cinéma & Cie. |
TV series; Europe; 2000- |
XII/19 |
9-14 |
|
|
|
Brundson, Charlotte |
Introduction – In Focus: The Place of Television Studies: A View from the British Midlands |
2008 |
Cinema Journal |
TV; TV Studies; |
47.3 |
122-127 |
|
|
|
Tinic, Serra |
Introduction: Teaching Television in a Postnetwork Era |
2011 |
Cinema Journal |
TV; Teaching TV; |
50.4 |
157-160 |
|
|
|
Ross, Sharon Marie |
Introduction: Writing and Producing TV in the Post-Network Era |
2011 |
Cinema Journal |
TV; Production; |
50.2 |
128-131 |
|
|
|
Lenos, Melissa |
Introduction:Clueless |
2014 |
Cinema Journal |
Clueless; Franchise; |
53.3 |
123-126 |
|
|
|
Moseley, Rachel; Wheatley, Helen; |
Is Archiving a Feminist Issue? Historical Research and the Past, Present, and Future of Television Studies |
2008 |
Cinema Journal |
TV; TV Studies; |
47.3 |
152-158 |
|
|
|
Hartley, John |
Is Screen Studies a Load of Old Cobblers? And If So, Is That Good? |
2005 |
Cinema Journal |
TV; TV Studies; |
45.1 |
101-106 |
|
|
|
Brundson, Charlotte |
Is Television Studies History? |
2008 |
Cinema Journal |
TV; TV Studies; |
47.3 |
127-137 |
|
|
|
Boisvert, Stéfany |
La Notion de qualité télévisuelle dans la production fictionelle britannique |
2012 |
Cinéma & Cie. |
Quality TV; UK |
XII/19 |
51-60 |
|
|
|
Litwack, Michael |
Making Television Live: Mediating Biopolitics in Obesity Programming |
2015 |
Camera Obscura |
Reality TV; Obesity programming; Biopolitic; |
88 (30.1) |
41-69 |
|
