| Author |
Title |
Year |
Publication  |
Keywords |
Volume |
Pages |
| Liu, Linda |
Occult Anxieties and the Recessionary Imainary in theParanormal ActivityFranchise |
2015 |
Camera Obscura |
Paranormal Activity; Economy; Anxiety; |
90 (30.3) |
61-91 |
| Dominguez, Pier |
“I'm Very Rich, Bitch!”: The Melodramatic Money Shot and the Excess of Racialized Gendered Affect in theReal HousewivesDocusoaps |
2015 |
Camera Obscura |
Reality TV; Real Housewives; Race; Affect; |
88 (30.1) |
155-183 |
| Feuer, Jane |
“Quality” Reality and the Bravo Media Reality Series |
2015 |
Camera Obscura |
Reality TV; Quality TV; |
88 (30.1) |
185-195 |
| Warner, Kristen J. |
The Gon' Think You Loud Regardless: Ratchetness, Reality Television, and Black Womanhood |
2015 |
Camera Obscura |
Reality TV; Race; |
88 (30.1) |
129-153 |
| Kavka, Misha |
Sex on the Shore: Care and the Ethics of License in Jersey Shore |
2015 |
Camera Obscura |
Reality TV; Jersey Shore; Ethics; Sexuality; |
88 (30.1) |
101-127 |
| Hargraves, Hunter |
(TV) Junkies in Need of anIntervention: On Addictive Spectatorship and Recovery Television |
2015 |
Camera Obscura |
Reality TV; Recovery Television; Specatorship; |
88 (30.1) |
71-99 |
| Lynn Jones, Jennifer; Weber, Brenda R.; |
Reality Moms, Real Monsters: Transmediated Continuity, Reality Celebrity, and the Female Grotesque |
2015 |
Camera Obscura |
Reality TV; Grotesque; Motherhood; |
88 (30.1) |
nov-39 |
| Litwack, Michael |
Making Television Live: Mediating Biopolitics in Obesity Programming |
2015 |
Camera Obscura |
Reality TV; Obesity programming; Biopolitic; |
88 (30.1) |
41-69 |
| Joyrich, Lynne; Kavka, Misha; Weber, Brenda R. |
Project Reality TV: Preshow Special |
2015 |
Camera Obscura |
Reality TV; Feminist Theory; |
88 (30.1) |
01-set |
| Smit, Alexia |
Care, Shame, and Intimacy: Reconsidering the Pleasures of Plastic Surgery Reality Television |
2014 |
Camera Obscura |
Reality TV; Pleasure; Intimacy; |
86 (29.2) |
59-83 |
| Richards, Jill |
Berlin Alexanderplatz's Serial Women |
2013 |
Camera Obscura |
Berlin Alexanderplatz; Female Characters; |
84 (28.3) |
mar-84 |
| Kustritz, Anne |
Breeding Unity:Battlestar Galactica's Biracial Reproductive Futurity |
2012 |
Camera Obscura |
Battlestar Galactica; Race; Reproduction; |
81 (27.3) |
gen-37 |
| Fan, Victor |
The Poetics of Addiction: Stardom, “Feminized” Spectatorship, and Interregional Business Relations in theTwilightSeries |
2012 |
Camera Obscura |
Twilight; Stardom; Spectatroship; |
79 (27.1) |
31-67 |
| Burns, Christy L. |
Erasure: Alienation, Paranoia, and the Loss of Memory inThe X-Files |
2000 |
Camera Obscura |
X-Files; Memory; Paranoia; US; 1993-2002. 2016- |
45 (15.3) |
194-219 |
| Wlodarz, Jow |
Maximum Insecurity: Genre Trouble and Closet Erotics in and out of HBO'sOz |
2005 |
Camera Obscura |
Oz; Genre; Closet Erotics; US; 1997-2003 |
58 (20.1) |
59-105 |
| Hendershot, Heather |
The Good, the Bad, and the Ugly: FromBuffy the Vampire SlayertoDr. 90210 |
2006 |
Camera Obscura |
TV series; Gender studies; US; |
61 (21.1) |
47-51 |
| Nakamura, Lisa |
Interfaces of Identity: Oriental Traitors and Telematic Profiling in24 |
2009 |
Camera Obscura |
24; Identity; Race; US; 2001-2014 |
70 (24.1) |
109-133 |
| Maitra, Ani |
Why Isn't Michelle Lopez onJudge Judy? Citizenship and Televisuality in Hima B.'sAnd I Do Survive |
2010 |
Camera Obscura |
And I Do Survive; Citizenship; |
74 (25.2) |
183-195 |
| Orr Vered, Karen; McConchie, John; |
The Politics of Third Way TV:Supernannyand the Commercialization of Public Service TV |
2011 |
Camera Obscura |
Supernanny; Public Service TV; |
77 (26.2) |
33-63 |
| Szostak, Sylwia |
Imitation, Borrowing, Recycling. American Models and Polish Domestic Drama |
2012 |
Cinéma & Cie. |
Transnationalism; Poland; |
XII/19 |
73-92 |
