| Author |
Title |
Year |
Publication |
Keywords  |
Volume |
Pages |
| Nakamura, Lisa |
Interfaces of Identity: Oriental Traitors and Telematic Profiling in24 |
2009 |
Camera Obscura |
24; Identity; Race; US; 2001-2014 |
70 (24.1) |
109-133 |
| Maitra, Ani |
Why Isn't Michelle Lopez onJudge Judy? Citizenship and Televisuality in Hima B.'sAnd I Do Survive |
2010 |
Camera Obscura |
And I Do Survive; Citizenship; |
74 (25.2) |
183-195 |
| Kustritz, Anne |
Breeding Unity:Battlestar Galactica's Biracial Reproductive Futurity |
2012 |
Camera Obscura |
Battlestar Galactica; Race; Reproduction; |
81 (27.3) |
gen-37 |
| Richards, Jill |
Berlin Alexanderplatz's Serial Women |
2013 |
Camera Obscura |
Berlin Alexanderplatz; Female Characters; |
84 (28.3) |
mar-84 |
| Stenger, Josh |
The Clothes Make the Fan: Fashion and Online Fandom whenBufy the Vampire SlayerGoes to eBay |
2006 |
Cinema Journal |
Buffy the Vampire Slayer; Costumes; Fandom Studies; |
45.4 |
26-44 |
| Wang, Shujen |
Recontextualizing Copyright: Piracy, Hollywood, the State, and Globalization |
2003 |
Cinema Journal |
Cinema; Copyright; Piracy; |
43.1 |
25-43 |
| The Light Brigade |
The Filmic Experience: A Map |
2008 |
Cinéma & Cie. |
Cinema; Experience; |
11 |
65-68 |
| Schneider, Alexandra |
The Cinema Is the Theater, the School and the Newspaper of Tomorrow>>: Writing the History of Cinema's Mobility |
2008 |
Cinéma & Cie. |
Cinema; History; |
11 |
57-64 |
| Hagener, Malte |
Where Is Cinema (Today)? The Cinema in the Age of Media Immanence |
2008 |
Cinéma & Cie. |
Cinema; Media immanence; |
11 |
15-22 |
| Aslinger, Ben |
Clueless about Listening Formations? |
2014 |
Cinema Journal |
Clueless; Audience; |
53.3 |
126-131 |
| Hunting, Kyra |
Furiously Franchised:Clueless, Convergence Culture, and the Female-Focused Franchise |
2014 |
Cinema Journal |
Clueless; Franchise; |
53.3 |
145-151 |
| Lenos, Melissa |
Introduction:Clueless |
2014 |
Cinema Journal |
Clueless; Franchise; |
53.3 |
123-126 |
| Ieppert, Alice |
Can I Please Give You Some Advice?Cluelessand the Teen Makeover |
2014 |
Cinema Journal |
Clueless; Teen Studies; |
53.3 |
131-137 |
| O'Meara, Jennifer |
“We've Got to Work on Your Accent and Vocabulary”: Characterization throguh Verbal Style inClueless |
2014 |
Cinema Journal |
Clueless; Verbal Style; |
53.3 |
138-145 |
| Klastrup, Lisbeth; Tosca, Susana; |
Transmedial Worlds: Rethinking Cyberworld Design |
2004 |
Proceedings CW '04 |
Cyberworlds; Transmediality; |
|
409-416 |
| Casetti, Francesco |
The Last Supperin Piazza della Scala |
2008 |
Cinéma & Cie. |
Devices; Relocation; 2000- |
11 |
lug-14 |
| Tralli, Lucia |
There's Nothing Like an English Summer, Is There? Except and English Winter. Downton Abbey, A British Cult TV Series and Its Fandom |
2012 |
Cinéma & Cie. |
Downton Abbey; Fandom Studies; |
XII/19 |
61-72 |
| Shapiro, Stephen |
Homeland's Crisis of Middle-Class Transformation |
2015 |
Cinema Journal |
Homeland; |
54.4 |
152-158 |
| Negra, Diane; Lagerwey, Jorie; |
AnalyzingHomeland: Introduction |
2015 |
Cinema Journal |
Homeland; |
54.4 |
126-131 |
| Steenberg, Lindsay; Tasker, Yvonne; |
“Pledge Allegiance”: Gendered Surveillance, Crime Television, andHomeland |
2015 |
Cinema Journal |
Homeland; Crime TV; Gender Studies; |
54.4 |
132-138 |
