| |
Author |
Title |
Year |
Publication |
Keywords  |
Volume |
Pages |
Links |
|
|
Warner, Kristen J. |
The Gon' Think You Loud Regardless: Ratchetness, Reality Television, and Black Womanhood |
2015 |
Camera Obscura |
Reality TV; Race; |
88 (30.1) |
129-153 |
|
|
|
Dominguez, Pier |
“I'm Very Rich, Bitch!”: The Melodramatic Money Shot and the Excess of Racialized Gendered Affect in theReal HousewivesDocusoaps |
2015 |
Camera Obscura |
Reality TV; Real Housewives; Race; Affect; |
88 (30.1) |
155-183 |
|
|
|
Hargraves, Hunter |
(TV) Junkies in Need of anIntervention: On Addictive Spectatorship and Recovery Television |
2015 |
Camera Obscura |
Reality TV; Recovery Television; Specatorship; |
88 (30.1) |
71-99 |
|
|
|
Dusi, Nicola |
Remaking as a Practice: Some Problems of Transmediality |
2012 |
Cinéma & Cie. |
Remake; Transmediality; |
XII/18 |
115-130 |
|
|
|
D'Aloia, Adriano |
Virtual Screens. The Relocation of Cinema inSecond Life |
2008 |
Cinéma & Cie. |
Second Life; Relocation; |
11 |
49-56 |
|
|
|
Lu, Sheldon |
Soap Opera in China: The Transnational Politics of Visuality, Sexuality, and Masculinity |
2000 |
Cinema Journal |
Soap Operas; Nationalism; Masculinity; |
40.1 |
25-47 |
|
|
|
Tosatto, Cristina |
Re-Spatialization of Filmic Representation: Connected Spaces |
2008 |
Cinéma & Cie. |
Space; |
11 |
41-48 |
|
|
|
Ryan, Marie Laurie |
Transmedial Storytelling and Transfictionality |
2012 |
Poetics Today |
Storytelling; Transmediality; |
34:03:00 |
361-388 |
|
|
|
Scolari, Carlos A. |
Transmedia Storytelling: Implicit Consumers, Narrative Worlds, and Branding in Contemporary Media Production |
2009 |
International Journal of Communication |
Storytelling; Transmediality; Branding; |
3 |
586-606 |
|
|
|
Orr Vered, Karen; McConchie, John; |
The Politics of Third Way TV:Supernannyand the Commercialization of Public Service TV |
2011 |
Camera Obscura |
Supernanny; Public Service TV; |
77 (26.2) |
33-63 |
|
|
|
Thompson, Ethan |
Comedy Verit_? The Observational Documentary Meets the Televisual Sitcom |
2007 |
The Velvet Light Trap |
Television Comedies; Arrested Development; Curb Your Enthusiasm; |
60 |
63-72 |
|
|
|
Pekman, Cem; Tüzün, Selin; |
Turkish Television Dramas: The Economy and Beyond |
2012 |
Cinéma & Cie. |
Television Drama; Economy; Turkey; |
XII/19 |
93-104 |
|
|
|
Moore, Candace |
Having It All Ways: The Tourist, the Traveler, and the Local inThe L Word |
2007 |
Cinema Journal |
The L Word; Gender studies; Lesbian studies; |
46.4 |
mar-22 |
|
|
|
Szostak, Sylwia |
Imitation, Borrowing, Recycling. American Models and Polish Domestic Drama |
2012 |
Cinéma & Cie. |
Transnationalism; Poland; |
XII/19 |
73-92 |
|
|
|
Diego, Patricia; del Mar Grandío, María; |
The Production of TV Fiction Adaptations in Spain (1950-2012) |
2012 |
Cinéma & Cie. |
TV Fiction; Adaptations; Spain; '1950-2012 |
XII/19 |
105-116 |
|
|
|
Innocenti, Veronica |
Introduction |
2012 |
Cinéma & Cie. |
TV series; Europe; 2000- |
XII/19 |
9-14 |
|
|
|
Hendershot, Heather |
The Good, the Bad, and the Ugly: FromBuffy the Vampire SlayertoDr. 90210 |
2006 |
Camera Obscura |
TV series; Gender studies; US; |
61 (21.1) |
47-51 |
|
|
|
Govil, Nitin |
Where Did the Televisions Go? |
2008 |
The Velvet Light Trap |
TV; Convergence; |
62 |
65-66 |
|
|
|
Perren, Alisa |
In Conversation: Creativity in the Contemporary Cable Industry |
2011 |
Cinema Journal |
TV; Creativity; |
50.2 |
132-138 |
|
|
|
Henderson, Felicia D. |
The Culture Behind Closed Doors: Issues of Gender and Race in the Writer's Room |
2011 |
Cinema Journal |
TV; Gender studies; Race; |
50.2 |
145-152 |
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