| Author |
Title |
Year |
Publication |
Keywords  |
Volume |
Pages |
| Newcomb, Horace |
Studying Television: Same Questions, Different Contexts |
2005 |
Cinema Journal |
TV; TV Studies; |
45.1 |
107-111 |
| Hartley, John |
Is Screen Studies a Load of Old Cobblers? And If So, Is That Good? |
2005 |
Cinema Journal |
TV; TV Studies; |
45.1 |
101-106 |
| Miller, Toby |
Turn Off TV Studies! |
2005 |
Cinema Journal |
TV; TV Studies; |
45.1 |
98-101 |
| Caldwell, John Thornton |
Welcome to the Viral Future of Cinema (Television) |
2005 |
Cinema Journal |
TV; TV Studies; |
45.1 |
90-97 |
| Spigel, Lynn |
TV's Next Season? |
2005 |
Cinema Journal |
TV; TV Studies; |
45.1 |
83-90 |
| Boddy, William |
In Focus: The Place of Television Studies |
2005 |
Cinema Journal |
TV; TV Studies; |
45.1 |
79-82 |
| Nichols-Pethick, Jonathan |
Nobody with a Good Script Needs to Be Justified |
2011 |
Cinema Journal |
TV; Writing; |
50.2 |
153-159 |
| Fan, Victor |
The Poetics of Addiction: Stardom, “Feminized” Spectatorship, and Interregional Business Relations in theTwilightSeries |
2012 |
Camera Obscura |
Twilight; Stardom; Spectatroship; |
79 (27.1) |
31-67 |
| Lischi, Sandra |
Site Specific, Placeless. Reflections on the Relocation of Cinema Onto Video |
2008 |
Cinéma & Cie. |
Video; Relocation; 1980- |
11 |
23-30 |
| Burns, Christy L. |
Erasure: Alienation, Paranoia, and the Loss of Memory inThe X-Files |
2000 |
Camera Obscura |
X-Files; Memory; Paranoia; US; 1993-2002. 2016- |
45 (15.3) |
194-219 |
