| Author |
Title |
Year |
Publication |
Keywords  |
Volume |
Pages |
| Agger, Gunhild |
Nordic Noir on Television:The Killing I-III |
2012 |
Cinéma & Cie. |
Nordic Noir; Production; Scandinavia; 2000- |
XII/19 |
39-50 |
| Papin, Bernard |
Nicolas Le Floch, un bon produit <<ö l'export>>? Rflections sur la diffusion et la rception internationale d'une s_rie historique (très) française... |
2012 |
Cinéma & Cie. |
Nicolas Le Floch; Production; France; |
XII/19 |
15-24 |
| Mittell, Jason |
Narrative Complexity in Contemporary American Television |
2006 |
The Velvet Light Trap |
Narrative; Complexity; TV Series; |
58 |
29-40 |
| Newman, Michael Z. |
From Beats to Arcs: Toward a Poetics of Television Narrative |
2006 |
The Velvet Light Trap |
Narrative; Arcs; TV Series; |
58 |
16-28 |
| Hay, James |
Outside Media: Toward a Study of Watching Ourselves through Mobile Media |
2008 |
The Velvet Light Trap |
Mobile Media; |
62 |
66-68 |
| Kompare, Derek |
Remapping Media and Media Studies |
2008 |
The Velvet Light Trap |
Media; |
62 |
70-71 |
| Johnson, Derek |
Cinematic Destiny: Marvel Studios and the Trade Stories of Industrial Convergence |
2012 |
Cinema Journal |
Marvel; Cinema; |
52.1 |
gen-24 |
| De Rosa, Miriam |
To Look, To Wander: Cinema in Installations |
2008 |
Cinéma & Cie. |
Installations; |
11 |
31-40 |
| Castonguay, James |
Fictions of Terror: Complexity, Complicity and Insecurity inHomeland |
2015 |
Cinema Journal |
Homeland; Terror TV; |
54.4 |
139-145 |
| Bevan, Alex |
The National Body, Women, and Mental Health in Homeland |
2015 |
Cinema Journal |
Homeland; Gender Studies |
54.4 |
145-151 |
| Steenberg, Lindsay; Tasker, Yvonne; |
“Pledge Allegiance”: Gendered Surveillance, Crime Television, andHomeland |
2015 |
Cinema Journal |
Homeland; Crime TV; Gender Studies; |
54.4 |
132-138 |
| Shapiro, Stephen |
Homeland's Crisis of Middle-Class Transformation |
2015 |
Cinema Journal |
Homeland; |
54.4 |
152-158 |
| Negra, Diane; Lagerwey, Jorie; |
AnalyzingHomeland: Introduction |
2015 |
Cinema Journal |
Homeland; |
54.4 |
126-131 |
| Tralli, Lucia |
There's Nothing Like an English Summer, Is There? Except and English Winter. Downton Abbey, A British Cult TV Series and Its Fandom |
2012 |
Cinéma & Cie. |
Downton Abbey; Fandom Studies; |
XII/19 |
61-72 |
| Casetti, Francesco |
The Last Supperin Piazza della Scala |
2008 |
Cinéma & Cie. |
Devices; Relocation; 2000- |
11 |
lug-14 |
| Klastrup, Lisbeth; Tosca, Susana; |
Transmedial Worlds: Rethinking Cyberworld Design |
2004 |
Proceedings CW '04 |
Cyberworlds; Transmediality; |
|
409-416 |
| O'Meara, Jennifer |
“We've Got to Work on Your Accent and Vocabulary”: Characterization throguh Verbal Style inClueless |
2014 |
Cinema Journal |
Clueless; Verbal Style; |
53.3 |
138-145 |
| Ieppert, Alice |
Can I Please Give You Some Advice?Cluelessand the Teen Makeover |
2014 |
Cinema Journal |
Clueless; Teen Studies; |
53.3 |
131-137 |
| Hunting, Kyra |
Furiously Franchised:Clueless, Convergence Culture, and the Female-Focused Franchise |
2014 |
Cinema Journal |
Clueless; Franchise; |
53.3 |
145-151 |
| Lenos, Melissa |
Introduction:Clueless |
2014 |
Cinema Journal |
Clueless; Franchise; |
53.3 |
123-126 |
