| Author |
Title |
Year |
Publication |
Keywords |
Volume |
Pages  |
| Casetti, Francesco |
The Last Supperin Piazza della Scala |
2008 |
Cinéma & Cie. |
Devices; Relocation; 2000- |
11 |
lug-14 |
| Hagener, Malte |
Where Is Cinema (Today)? The Cinema in the Age of Media Immanence |
2008 |
Cinéma & Cie. |
Cinema; Media immanence; |
11 |
15-22 |
| Lischi, Sandra |
Site Specific, Placeless. Reflections on the Relocation of Cinema Onto Video |
2008 |
Cinéma & Cie. |
Video; Relocation; 1980- |
11 |
23-30 |
| De Rosa, Miriam |
To Look, To Wander: Cinema in Installations |
2008 |
Cinéma & Cie. |
Installations; |
11 |
31-40 |
| D'Aloia, Adriano |
Virtual Screens. The Relocation of Cinema inSecond Life |
2008 |
Cinéma & Cie. |
Second Life; Relocation; |
11 |
49-56 |
| Tosatto, Cristina |
Re-Spatialization of Filmic Representation: Connected Spaces |
2008 |
Cinéma & Cie. |
Space; |
11 |
41-48 |
| Innocenti, Veronica |
Introduction |
2012 |
Cinéma & Cie. |
TV series; Europe; 2000- |
XII/19 |
9-14 |
| Agger, Gunhild |
Nordic Noir on Television:The Killing I-III |
2012 |
Cinéma & Cie. |
Nordic Noir; Production; Scandinavia; 2000- |
XII/19 |
39-50 |
| Boisvert, Stéfany |
La Notion de qualité télévisuelle dans la production fictionelle britannique |
2012 |
Cinéma & Cie. |
Quality TV; UK |
XII/19 |
51-60 |
| Bevan, Alex |
The National Body, Women, and Mental Health in Homeland |
2015 |
Cinema Journal |
Homeland; Gender Studies |
54.4 |
145-151 |
