| |
Author |
Title |
Year |
Publication |
Keywords |
Volume |
Pages  |
Links |
|
|
Holdsworth, Amy |
"Television Resurrections: Television and Memory |
2008 |
Cinema Journal |
TV; TV Studies; |
47.3 |
137-144 |
|
|
|
Moore, Candace |
Having It All Ways: The Tourist, the Traveler, and the Local inThe L Word |
2007 |
Cinema Journal |
The L Word; Gender studies; Lesbian studies; |
46.4 |
mar-22 |
|
|
|
Stenger, Josh |
The Clothes Make the Fan: Fashion and Online Fandom whenBufy the Vampire SlayerGoes to eBay |
2006 |
Cinema Journal |
Buffy the Vampire Slayer; Costumes; Fandom Studies; |
45.4 |
26-44 |
|
|
|
Hilmes, Michele |
The Bad Object: Television in the American Academy |
2005 |
Cinema Journal |
TV; TV Studies; |
45.1 |
111-116 |
|
|
|
Newcomb, Horace |
Studying Television: Same Questions, Different Contexts |
2005 |
Cinema Journal |
TV; TV Studies; |
45.1 |
107-111 |
|
|
|
Hartley, John |
Is Screen Studies a Load of Old Cobblers? And If So, Is That Good? |
2005 |
Cinema Journal |
TV; TV Studies; |
45.1 |
101-106 |
|
|
|
Miller, Toby |
Turn Off TV Studies! |
2005 |
Cinema Journal |
TV; TV Studies; |
45.1 |
98-101 |
|
|
|
Caldwell, John Thornton |
Welcome to the Viral Future of Cinema (Television) |
2005 |
Cinema Journal |
TV; TV Studies; |
45.1 |
90-97 |
|
|
|
Spigel, Lynn |
TV's Next Season? |
2005 |
Cinema Journal |
TV; TV Studies; |
45.1 |
83-90 |
|
|
|
Boddy, William |
In Focus: The Place of Television Studies |
2005 |
Cinema Journal |
TV; TV Studies; |
45.1 |
79-82 |
|
|
|
Wang, Shujen |
Recontextualizing Copyright: Piracy, Hollywood, the State, and Globalization |
2003 |
Cinema Journal |
Cinema; Copyright; Piracy; |
43.1 |
25-43 |
|
|
|
Mittell, Jason |
A Cultural Approach to Television Genre Theory |
2001 |
Cinema Journal |
TV; Genre; Cultural Studies; |
40.3 |
mar-24 |
|
|
|
Lu, Sheldon |
Soap Opera in China: The Transnational Politics of Visuality, Sexuality, and Masculinity |
2000 |
Cinema Journal |
Soap Operas; Nationalism; Masculinity; |
40.1 |
25-47 |
|
|
|
Liu, Linda |
Occult Anxieties and the Recessionary Imainary in theParanormal ActivityFranchise |
2015 |
Camera Obscura |
Paranormal Activity; Economy; Anxiety; |
90 (30.3) |
61-91 |
|
|
|
Dominguez, Pier |
“I'm Very Rich, Bitch!”: The Melodramatic Money Shot and the Excess of Racialized Gendered Affect in theReal HousewivesDocusoaps |
2015 |
Camera Obscura |
Reality TV; Real Housewives; Race; Affect; |
88 (30.1) |
155-183 |
|
|
|
Feuer, Jane |
“Quality” Reality and the Bravo Media Reality Series |
2015 |
Camera Obscura |
Reality TV; Quality TV; |
88 (30.1) |
185-195 |
|
|
|
Warner, Kristen J. |
The Gon' Think You Loud Regardless: Ratchetness, Reality Television, and Black Womanhood |
2015 |
Camera Obscura |
Reality TV; Race; |
88 (30.1) |
129-153 |
|
|
|
Kavka, Misha |
Sex on the Shore: Care and the Ethics of License in Jersey Shore |
2015 |
Camera Obscura |
Reality TV; Jersey Shore; Ethics; Sexuality; |
88 (30.1) |
101-127 |
|
|
|
Hargraves, Hunter |
(TV) Junkies in Need of anIntervention: On Addictive Spectatorship and Recovery Television |
2015 |
Camera Obscura |
Reality TV; Recovery Television; Specatorship; |
88 (30.1) |
71-99 |
|
|
|
Lynn Jones, Jennifer; Weber, Brenda R.; |
Reality Moms, Real Monsters: Transmediated Continuity, Reality Celebrity, and the Female Grotesque |
2015 |
Camera Obscura |
Reality TV; Grotesque; Motherhood; |
88 (30.1) |
nov-39 |
|
