| |
Author  |
Title |
Year |
Publication |
Keywords |
Volume |
Pages |
Links |
|
|
The Light Brigade |
The Filmic Experience: A Map |
2008 |
Cinéma & Cie. |
Cinema; Experience; |
11 |
65-68 |
|
|
|
Thompson, Ethan |
Comedy Verit_? The Observational Documentary Meets the Televisual Sitcom |
2007 |
The Velvet Light Trap |
Television Comedies; Arrested Development; Curb Your Enthusiasm; |
60 |
63-72 |
|
|
|
Tinic, Serra |
Introduction: Teaching Television in a Postnetwork Era |
2011 |
Cinema Journal |
TV; Teaching TV; |
50.4 |
157-160 |
|
|
|
Tosatto, Cristina |
Re-Spatialization of Filmic Representation: Connected Spaces |
2008 |
Cinéma & Cie. |
Space; |
11 |
41-48 |
|
|
|
Tralli, Lucia |
There's Nothing Like an English Summer, Is There? Except and English Winter. Downton Abbey, A British Cult TV Series and Its Fandom |
2012 |
Cinéma & Cie. |
Downton Abbey; Fandom Studies; |
XII/19 |
61-72 |
|
|
|
Valentini, Paola |
Whodonit? Rai TV Fiction Production Between Detection andGiallo |
2012 |
Cinéma & Cie. |
Rai Fiction; Genre; Production; Italy; |
XII/19 |
25-38 |
|
|
|
Wang, Shujen |
Recontextualizing Copyright: Piracy, Hollywood, the State, and Globalization |
2003 |
Cinema Journal |
Cinema; Copyright; Piracy; |
43.1 |
25-43 |
|
|
|
Warner, Kristen J. |
The Gon' Think You Loud Regardless: Ratchetness, Reality Television, and Black Womanhood |
2015 |
Camera Obscura |
Reality TV; Race; |
88 (30.1) |
129-153 |
|
|
|
Wlodarz, Jow |
Maximum Insecurity: Genre Trouble and Closet Erotics in and out of HBO'sOz |
2005 |
Camera Obscura |
Oz; Genre; Closet Erotics; US; 1997-2003 |
58 (20.1) |
59-105 |
|
|
|
Wood, Helen; Taylor, Lisa; |
Feeling Sentimental about Television and Audiences |
2008 |
Cinema Journal |
TV; TV Studies; |
47.3 |
144-151 |
|
