Author  |
Title |
Year |
Publication |
Keywords |
Volume |
Pages |
| Kompare, Derek |
Filling the Box: Television in Higher Education |
2011 |
Cinema Journal |
TV; Teaching TV; |
50.4 |
161-165 |
| Kompare, Derek |
Remapping Media and Media Studies |
2008 |
The Velvet Light Trap |
Media; |
62 |
70-71 |
| Kraszewski, Jon |
Hybridity, History, and the Identity of the Television Studies Teacher |
2011 |
Cinema Journal |
TV; Teaching TV; |
50.4 |
166-172 |
| Kustritz, Anne |
Breeding Unity:Battlestar Galactica's Biracial Reproductive Futurity |
2012 |
Camera Obscura |
Battlestar Galactica; Race; Reproduction; |
81 (27.3) |
gen-37 |
| Lenos, Melissa |
Introduction:Clueless |
2014 |
Cinema Journal |
Clueless; Franchise; |
53.3 |
123-126 |
| Levine, Elana |
Teaching the Politics of Television Culture in a “Post-Television” Era |
2011 |
Cinema Journal |
TV; Teaching TV; Post-Television; |
50.4 |
177-182 |
| Lischi, Sandra |
Site Specific, Placeless. Reflections on the Relocation of Cinema Onto Video |
2008 |
Cinéma & Cie. |
Video; Relocation; 1980- |
11 |
23-30 |
| Litwack, Michael |
Making Television Live: Mediating Biopolitics in Obesity Programming |
2015 |
Camera Obscura |
Reality TV; Obesity programming; Biopolitic; |
88 (30.1) |
41-69 |
| Liu, Linda |
Occult Anxieties and the Recessionary Imainary in theParanormal ActivityFranchise |
2015 |
Camera Obscura |
Paranormal Activity; Economy; Anxiety; |
90 (30.3) |
61-91 |
| Lu, Sheldon |
Soap Opera in China: The Transnational Politics of Visuality, Sexuality, and Masculinity |
2000 |
Cinema Journal |
Soap Operas; Nationalism; Masculinity; |
40.1 |
25-47 |
| Lynn Jones, Jennifer; Weber, Brenda R.; |
Reality Moms, Real Monsters: Transmediated Continuity, Reality Celebrity, and the Female Grotesque |
2015 |
Camera Obscura |
Reality TV; Grotesque; Motherhood; |
88 (30.1) |
nov-39 |
| Maitra, Ani |
Why Isn't Michelle Lopez onJudge Judy? Citizenship and Televisuality in Hima B.'sAnd I Do Survive |
2010 |
Camera Obscura |
And I Do Survive; Citizenship; |
74 (25.2) |
183-195 |
| Miller, Toby |
Turn Off TV Studies! |
2005 |
Cinema Journal |
TV; TV Studies; |
45.1 |
98-101 |
| Mittell, Jason |
Narrative Complexity in Contemporary American Television |
2006 |
The Velvet Light Trap |
Narrative; Complexity; TV Series; |
58 |
29-40 |
| Mittell, Jason |
A Cultural Approach to Television Genre Theory |
2001 |
Cinema Journal |
TV; Genre; Cultural Studies; |
40.3 |
mar-24 |
| Moore, Candace |
Having It All Ways: The Tourist, the Traveler, and the Local inThe L Word |
2007 |
Cinema Journal |
The L Word; Gender studies; Lesbian studies; |
46.4 |
mar-22 |
| Moseley, Rachel; Wheatley, Helen; |
Is Archiving a Feminist Issue? Historical Research and the Past, Present, and Future of Television Studies |
2008 |
Cinema Journal |
TV; TV Studies; |
47.3 |
152-158 |
| Nakamura, Lisa |
Interfaces of Identity: Oriental Traitors and Telematic Profiling in24 |
2009 |
Camera Obscura |
24; Identity; Race; US; 2001-2014 |
70 (24.1) |
109-133 |
| Negra, Diane; Lagerwey, Jorie; |
AnalyzingHomeland: Introduction |
2015 |
Cinema Journal |
Homeland; |
54.4 |
126-131 |
| Newcomb, Horace |
Studying Television: Same Questions, Different Contexts |
2005 |
Cinema Journal |
TV; TV Studies; |
45.1 |
107-111 |
