| |
Author  |
Title |
Year |
Publication |
Keywords |
Volume |
Pages |
Links |
|
|
Agger, Gunhild |
Nordic Noir on Television:The Killing I-III |
2012 |
Cinéma & Cie. |
Nordic Noir; Production; Scandinavia; 2000- |
XII/19 |
39-50 |
|
|
|
Aslinger, Ben |
Clueless about Listening Formations? |
2014 |
Cinema Journal |
Clueless; Audience; |
53.3 |
126-131 |
|
|
|
Bennett, James |
Television Studies Goes Digital |
2008 |
Cinema Journal |
TV; TV Studies; |
47.3 |
158-165 |
|
|
|
Bevan, Alex |
The National Body, Women, and Mental Health in Homeland |
2015 |
Cinema Journal |
Homeland; Gender Studies |
54.4 |
145-151 |
|
|
|
Boddy, William |
In Focus: The Place of Television Studies |
2005 |
Cinema Journal |
TV; TV Studies; |
45.1 |
79-82 |
|
|
|
Boisvert, Stéfany |
La Notion de qualité télévisuelle dans la production fictionelle britannique |
2012 |
Cinéma & Cie. |
Quality TV; UK |
XII/19 |
51-60 |
|
|
|
Brundson, Charlotte |
Is Television Studies History? |
2008 |
Cinema Journal |
TV; TV Studies; |
47.3 |
127-137 |
|
|
|
Brundson, Charlotte |
Introduction – In Focus: The Place of Television Studies: A View from the British Midlands |
2008 |
Cinema Journal |
TV; TV Studies; |
47.3 |
122-127 |
|
|
|
Burns, Christy L. |
Erasure: Alienation, Paranoia, and the Loss of Memory inThe X-Files |
2000 |
Camera Obscura |
X-Files; Memory; Paranoia; US; 1993-2002. 2016- |
45 (15.3) |
194-219 |
|
|
|
Butler, Jeremy |
Statistical Analysis of Television Style: What Can Numbers Tell Us about TV Editing? |
2014 |
Cinema Journal |
TV; TV Editing; Statistical Analysis; TV Style; |
54.1 |
25-44 |
|
|
|
Caldwell, John Thornton |
Welcome to the Viral Future of Cinema (Television) |
2005 |
Cinema Journal |
TV; TV Studies; |
45.1 |
90-97 |
|
|
|
Casetti, Francesco |
The Last Supperin Piazza della Scala |
2008 |
Cinéma & Cie. |
Devices; Relocation; 2000- |
11 |
lug-14 |
|
|
|
Castonguay, James |
Fictions of Terror: Complexity, Complicity and Insecurity inHomeland |
2015 |
Cinema Journal |
Homeland; Terror TV; |
54.4 |
139-145 |
|
|
|
D'Aloia, Adriano |
Virtual Screens. The Relocation of Cinema inSecond Life |
2008 |
Cinéma & Cie. |
Second Life; Relocation; |
11 |
49-56 |
|
|
|
De Rosa, Miriam |
To Look, To Wander: Cinema in Installations |
2008 |
Cinéma & Cie. |
Installations; |
11 |
31-40 |
|
|
|
Diego, Patricia; del Mar Grandío, María; |
The Production of TV Fiction Adaptations in Spain (1950-2012) |
2012 |
Cinéma & Cie. |
TV Fiction; Adaptations; Spain; '1950-2012 |
XII/19 |
105-116 |
|
|
|
Dominguez, Pier |
“I'm Very Rich, Bitch!”: The Melodramatic Money Shot and the Excess of Racialized Gendered Affect in theReal HousewivesDocusoaps |
2015 |
Camera Obscura |
Reality TV; Real Housewives; Race; Affect; |
88 (30.1) |
155-183 |
|
|
|
Dusi, Nicola |
Remaking as a Practice: Some Problems of Transmediality |
2012 |
Cinéma & Cie. |
Remake; Transmediality; |
XII/18 |
115-130 |
|
|
|
Fan, Victor |
The Poetics of Addiction: Stardom, “Feminized” Spectatorship, and Interregional Business Relations in theTwilightSeries |
2012 |
Camera Obscura |
Twilight; Stardom; Spectatroship; |
79 (27.1) |
31-67 |
|
|
|
Feuer, Jane |
“Quality” Reality and the Bravo Media Reality Series |
2015 |
Camera Obscura |
Reality TV; Quality TV; |
88 (30.1) |
185-195 |
|
