Author  |
Title |
Year |
Publication |
Keywords |
Volume |
Pages |
| Wood, Helen; Taylor, Lisa; |
Feeling Sentimental about Television and Audiences |
2008 |
Cinema Journal |
TV; TV Studies; |
47.3 |
144-151 |
| Wlodarz, Jow |
Maximum Insecurity: Genre Trouble and Closet Erotics in and out of HBO'sOz |
2005 |
Camera Obscura |
Oz; Genre; Closet Erotics; US; 1997-2003 |
58 (20.1) |
59-105 |
| Warner, Kristen J. |
The Gon' Think You Loud Regardless: Ratchetness, Reality Television, and Black Womanhood |
2015 |
Camera Obscura |
Reality TV; Race; |
88 (30.1) |
129-153 |
| Wang, Shujen |
Recontextualizing Copyright: Piracy, Hollywood, the State, and Globalization |
2003 |
Cinema Journal |
Cinema; Copyright; Piracy; |
43.1 |
25-43 |
| Valentini, Paola |
Whodonit? Rai TV Fiction Production Between Detection andGiallo |
2012 |
Cinéma & Cie. |
Rai Fiction; Genre; Production; Italy; |
XII/19 |
25-38 |
| Tralli, Lucia |
There's Nothing Like an English Summer, Is There? Except and English Winter. Downton Abbey, A British Cult TV Series and Its Fandom |
2012 |
Cinéma & Cie. |
Downton Abbey; Fandom Studies; |
XII/19 |
61-72 |
| Tosatto, Cristina |
Re-Spatialization of Filmic Representation: Connected Spaces |
2008 |
Cinéma & Cie. |
Space; |
11 |
41-48 |
| Tinic, Serra |
Introduction: Teaching Television in a Postnetwork Era |
2011 |
Cinema Journal |
TV; Teaching TV; |
50.4 |
157-160 |
| Thompson, Ethan |
Comedy Verit_? The Observational Documentary Meets the Televisual Sitcom |
2007 |
The Velvet Light Trap |
Television Comedies; Arrested Development; Curb Your Enthusiasm; |
60 |
63-72 |
| The Light Brigade |
The Filmic Experience: A Map |
2008 |
Cinéma & Cie. |
Cinema; Experience; |
11 |
65-68 |
| Tasker, Yvonne |
Television Crime Drama and Homeland Security: FromLaw & Orderto “Terror TV” |
2012 |
Cinema Journal |
TV; Terror TV; |
51.4 |
44-65 |
| Szostak, Sylwia |
Imitation, Borrowing, Recycling. American Models and Polish Domestic Drama |
2012 |
Cinéma & Cie. |
Transnationalism; Poland; |
XII/19 |
73-92 |
| Stenger, Josh |
The Clothes Make the Fan: Fashion and Online Fandom whenBufy the Vampire SlayerGoes to eBay |
2006 |
Cinema Journal |
Buffy the Vampire Slayer; Costumes; Fandom Studies; |
45.4 |
26-44 |
| Steenberg, Lindsay; Tasker, Yvonne; |
“Pledge Allegiance”: Gendered Surveillance, Crime Television, andHomeland |
2015 |
Cinema Journal |
Homeland; Crime TV; Gender Studies; |
54.4 |
132-138 |
| Spigel, Lynn |
TV's Next Season? |
2005 |
Cinema Journal |
TV; TV Studies; |
45.1 |
83-90 |
| Smit, Alexia |
Care, Shame, and Intimacy: Reconsidering the Pleasures of Plastic Surgery Reality Television |
2014 |
Camera Obscura |
Reality TV; Pleasure; Intimacy; |
86 (29.2) |
59-83 |
| Shapiro, Stephen |
Homeland's Crisis of Middle-Class Transformation |
2015 |
Cinema Journal |
Homeland; |
54.4 |
152-158 |
| Scolari, Carlos A. |
Transmedia Storytelling: Implicit Consumers, Narrative Worlds, and Branding in Contemporary Media Production |
2009 |
International Journal of Communication |
Storytelling; Transmediality; Branding; |
3 |
586-606 |
| Schneider, Alexandra |
The Cinema Is the Theater, the School and the Newspaper of Tomorrow>>: Writing the History of Cinema's Mobility |
2008 |
Cinéma & Cie. |
Cinema; History; |
11 |
57-64 |
| Ryan, Marie Laurie |
Transmedial Storytelling and Transfictionality |
2012 |
Poetics Today |
Storytelling; Transmediality; |
34:03:00 |
361-388 |
