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Author |
Title |
Year |
Publication |
Keywords  |
Volume |
Pages |
Links |
|
|
Stenger, Josh |
The Clothes Make the Fan: Fashion and Online Fandom whenBufy the Vampire SlayerGoes to eBay |
2006 |
Cinema Journal |
Buffy the Vampire Slayer; Costumes; Fandom Studies; |
45.4 |
26-44 |
|
|
|
Wang, Shujen |
Recontextualizing Copyright: Piracy, Hollywood, the State, and Globalization |
2003 |
Cinema Journal |
Cinema; Copyright; Piracy; |
43.1 |
25-43 |
|
|
|
Aslinger, Ben |
Clueless about Listening Formations? |
2014 |
Cinema Journal |
Clueless; Audience; |
53.3 |
126-131 |
|
|
|
Hunting, Kyra |
Furiously Franchised:Clueless, Convergence Culture, and the Female-Focused Franchise |
2014 |
Cinema Journal |
Clueless; Franchise; |
53.3 |
145-151 |
|
|
|
Lenos, Melissa |
Introduction:Clueless |
2014 |
Cinema Journal |
Clueless; Franchise; |
53.3 |
123-126 |
|
|
|
Ieppert, Alice |
Can I Please Give You Some Advice?Cluelessand the Teen Makeover |
2014 |
Cinema Journal |
Clueless; Teen Studies; |
53.3 |
131-137 |
|
|
|
O'Meara, Jennifer |
“We've Got to Work on Your Accent and Vocabulary”: Characterization throguh Verbal Style inClueless |
2014 |
Cinema Journal |
Clueless; Verbal Style; |
53.3 |
138-145 |
|
|
|
Shapiro, Stephen |
Homeland's Crisis of Middle-Class Transformation |
2015 |
Cinema Journal |
Homeland; |
54.4 |
152-158 |
|
|
|
Negra, Diane; Lagerwey, Jorie; |
AnalyzingHomeland: Introduction |
2015 |
Cinema Journal |
Homeland; |
54.4 |
126-131 |
|
|
|
Steenberg, Lindsay; Tasker, Yvonne; |
“Pledge Allegiance”: Gendered Surveillance, Crime Television, andHomeland |
2015 |
Cinema Journal |
Homeland; Crime TV; Gender Studies; |
54.4 |
132-138 |
|
|
|
Bevan, Alex |
The National Body, Women, and Mental Health in Homeland |
2015 |
Cinema Journal |
Homeland; Gender Studies |
54.4 |
145-151 |
|
|
|
Castonguay, James |
Fictions of Terror: Complexity, Complicity and Insecurity inHomeland |
2015 |
Cinema Journal |
Homeland; Terror TV; |
54.4 |
139-145 |
|
|
|
Johnson, Derek |
Cinematic Destiny: Marvel Studios and the Trade Stories of Industrial Convergence |
2012 |
Cinema Journal |
Marvel; Cinema; |
52.1 |
gen-24 |
|
|
|
Lu, Sheldon |
Soap Opera in China: The Transnational Politics of Visuality, Sexuality, and Masculinity |
2000 |
Cinema Journal |
Soap Operas; Nationalism; Masculinity; |
40.1 |
25-47 |
|
|
|
Moore, Candace |
Having It All Ways: The Tourist, the Traveler, and the Local inThe L Word |
2007 |
Cinema Journal |
The L Word; Gender studies; Lesbian studies; |
46.4 |
mar-22 |
|
|
|
Perren, Alisa |
In Conversation: Creativity in the Contemporary Cable Industry |
2011 |
Cinema Journal |
TV; Creativity; |
50.2 |
132-138 |
|
|
|
Henderson, Felicia D. |
The Culture Behind Closed Doors: Issues of Gender and Race in the Writer's Room |
2011 |
Cinema Journal |
TV; Gender studies; Race; |
50.2 |
145-152 |
|
|
|
Mittell, Jason |
A Cultural Approach to Television Genre Theory |
2001 |
Cinema Journal |
TV; Genre; Cultural Studies; |
40.3 |
mar-24 |
|
|
|
Ross, Sharon Marie |
Introduction: Writing and Producing TV in the Post-Network Era |
2011 |
Cinema Journal |
TV; Production; |
50.2 |
128-131 |
|
|
|
Garrison, Lindsay H. |
Defining Television Excellence “On Its Own Terms”. The Peabody Award and Negotiating Doscourses of Quality |
2011 |
Cinema Journal |
TV; Quality TV; |
50.2 |
160-165 |
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