|
Author |
Title |
Year |
Publication |
Keywords |
Volume |
Pages |
Links |
|
Szostak, Sylwia |
Imitation, Borrowing, Recycling. American Models and Polish Domestic Drama |
2012 |
Cinéma & Cie. |
Transnationalism; Poland; |
XII/19 |
73-92 |
|
|
Pekman, Cem; Tüzün, Selin; |
Turkish Television Dramas: The Economy and Beyond |
2012 |
Cinéma & Cie. |
Television Drama; Economy; Turkey; |
XII/19 |
93-104 |
|
|
Diego, Patricia; del Mar Grandío, María; |
The Production of TV Fiction Adaptations in Spain (1950-2012) |
2012 |
Cinéma & Cie. |
TV Fiction; Adaptations; Spain; '1950-2012 |
XII/19 |
105-116 |
|
|
Boisvert, Stéfany |
La Notion de qualité télévisuelle dans la production fictionelle britannique |
2012 |
Cinéma & Cie. |
Quality TV; UK |
XII/19 |
51-60 |
|
|
Tralli, Lucia |
There's Nothing Like an English Summer, Is There? Except and English Winter. Downton Abbey, A British Cult TV Series and Its Fandom |
2012 |
Cinéma & Cie. |
Downton Abbey; Fandom Studies; |
XII/19 |
61-72 |
|
|
Agger, Gunhild |
Nordic Noir on Television:The Killing I-III |
2012 |
Cinéma & Cie. |
Nordic Noir; Production; Scandinavia; 2000- |
XII/19 |
39-50 |
|
|
Innocenti, Veronica |
Introduction |
2012 |
Cinéma & Cie. |
TV series; Europe; 2000- |
XII/19 |
9-14 |
|
|
Papin, Bernard |
Nicolas Le Floch, un bon produit <<ö l'export>>? Rflections sur la diffusion et la rception internationale d'une s_rie historique (très) française... |
2012 |
Cinéma & Cie. |
Nicolas Le Floch; Production; France; |
XII/19 |
15-24 |
|
|
Valentini, Paola |
Whodonit? Rai TV Fiction Production Between Detection andGiallo |
2012 |
Cinéma & Cie. |
Rai Fiction; Genre; Production; Italy; |
XII/19 |
25-38 |
|
|
Dusi, Nicola |
Remaking as a Practice: Some Problems of Transmediality |
2012 |
Cinéma & Cie. |
Remake; Transmediality; |
XII/18 |
115-130 |
|
|
The Light Brigade |
The Filmic Experience: A Map |
2008 |
Cinéma & Cie. |
Cinema; Experience; |
11 |
65-68 |
|
|
Schneider, Alexandra |
The Cinema Is the Theater, the School and the Newspaper of Tomorrow>>: Writing the History of Cinema's Mobility |
2008 |
Cinéma & Cie. |
Cinema; History; |
11 |
57-64 |
|
|
Casetti, Francesco |
The Last Supperin Piazza della Scala |
2008 |
Cinéma & Cie. |
Devices; Relocation; 2000- |
11 |
lug-14 |
|
|
Hagener, Malte |
Where Is Cinema (Today)? The Cinema in the Age of Media Immanence |
2008 |
Cinéma & Cie. |
Cinema; Media immanence; |
11 |
15-22 |
|
|
Lischi, Sandra |
Site Specific, Placeless. Reflections on the Relocation of Cinema Onto Video |
2008 |
Cinéma & Cie. |
Video; Relocation; 1980- |
11 |
23-30 |
|
|
De Rosa, Miriam |
To Look, To Wander: Cinema in Installations |
2008 |
Cinéma & Cie. |
Installations; |
11 |
31-40 |
|
|
D'Aloia, Adriano |
Virtual Screens. The Relocation of Cinema inSecond Life |
2008 |
Cinéma & Cie. |
Second Life; Relocation; |
11 |
49-56 |
|
|
Tosatto, Cristina |
Re-Spatialization of Filmic Representation: Connected Spaces |
2008 |
Cinéma & Cie. |
Space; |
11 |
41-48 |
|