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Author |
Title |
Year  |
Publication |
Keywords |
Volume |
Pages |
Links |
|
|
Kraszewski, Jon |
Hybridity, History, and the Identity of the Television Studies Teacher |
2011 |
Cinema Journal |
TV; Teaching TV; |
50.4 |
166-172 |
|
|
|
Kompare, Derek |
Filling the Box: Television in Higher Education |
2011 |
Cinema Journal |
TV; Teaching TV; |
50.4 |
161-165 |
|
|
|
Tinic, Serra |
Introduction: Teaching Television in a Postnetwork Era |
2011 |
Cinema Journal |
TV; Teaching TV; |
50.4 |
157-160 |
|
|
|
Garrison, Lindsay H. |
Defining Television Excellence “On Its Own Terms”. The Peabody Award and Negotiating Doscourses of Quality |
2011 |
Cinema Journal |
TV; Quality TV; |
50.2 |
160-165 |
|
|
|
Nichols-Pethick, Jonathan |
Nobody with a Good Script Needs to Be Justified |
2011 |
Cinema Journal |
TV; Writing; |
50.2 |
153-159 |
|
|
|
Henderson, Felicia D. |
The Culture Behind Closed Doors: Issues of Gender and Race in the Writer's Room |
2011 |
Cinema Journal |
TV; Gender studies; Race; |
50.2 |
145-152 |
|
|
|
Kessler, Kelly |
They Should Suffer Like the Rest of Us: Queer Equality in Narrative Mediocrity |
2011 |
Cinema Journal |
TV; Queer Studies; |
50.2 |
139-144 |
|
|
|
Perren, Alisa |
In Conversation: Creativity in the Contemporary Cable Industry |
2011 |
Cinema Journal |
TV; Creativity; |
50.2 |
132-138 |
|
|
|
Ross, Sharon Marie |
Introduction: Writing and Producing TV in the Post-Network Era |
2011 |
Cinema Journal |
TV; Production; |
50.2 |
128-131 |
|
|
|
Orr Vered, Karen; McConchie, John; |
The Politics of Third Way TV:Supernannyand the Commercialization of Public Service TV |
2011 |
Camera Obscura |
Supernanny; Public Service TV; |
77 (26.2) |
33-63 |
|
|
|
Govil, Nitin |
Where Did the Televisions Go? |
2008 |
The Velvet Light Trap |
TV; Convergence; |
62 |
65-66 |
|
|
|
Bennett, James |
Television Studies Goes Digital |
2008 |
Cinema Journal |
TV; TV Studies; |
47.3 |
158-165 |
|
|
|
Moseley, Rachel; Wheatley, Helen; |
Is Archiving a Feminist Issue? Historical Research and the Past, Present, and Future of Television Studies |
2008 |
Cinema Journal |
TV; TV Studies; |
47.3 |
152-158 |
|
|
|
Wood, Helen; Taylor, Lisa; |
Feeling Sentimental about Television and Audiences |
2008 |
Cinema Journal |
TV; TV Studies; |
47.3 |
144-151 |
|
|
|
Brundson, Charlotte |
Is Television Studies History? |
2008 |
Cinema Journal |
TV; TV Studies; |
47.3 |
127-137 |
|
|
|
Brundson, Charlotte |
Introduction – In Focus: The Place of Television Studies: A View from the British Midlands |
2008 |
Cinema Journal |
TV; TV Studies; |
47.3 |
122-127 |
|
|
|
Holdsworth, Amy |
"Television Resurrections: Television and Memory |
2008 |
Cinema Journal |
TV; TV Studies; |
47.3 |
137-144 |
|
|
|
Mittell, Jason |
Narrative Complexity in Contemporary American Television |
2006 |
The Velvet Light Trap |
Narrative; Complexity; TV Series; |
58 |
29-40 |
|
|
|
Newman, Michael Z. |
From Beats to Arcs: Toward a Poetics of Television Narrative |
2006 |
The Velvet Light Trap |
Narrative; Arcs; TV Series; |
58 |
16-28 |
|
|
|
Hendershot, Heather |
The Good, the Bad, and the Ugly: FromBuffy the Vampire SlayertoDr. 90210 |
2006 |
Camera Obscura |
TV series; Gender studies; US; |
61 (21.1) |
47-51 |
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