| |
Author |
Title |
Year |
Publication |
Keywords |
Volume |
Pages  |
Links |
|
|
Boisvert, Stéfany |
La Notion de qualité télévisuelle dans la production fictionelle britannique |
2012 |
Cinéma & Cie. |
Quality TV; UK |
XII/19 |
51-60 |
|
|
|
Innocenti, Veronica |
Introduction |
2012 |
Cinéma & Cie. |
TV series; Europe; 2000- |
XII/19 |
9-14 |
|
|
|
Govil, Nitin |
Where Did the Televisions Go? |
2008 |
The Velvet Light Trap |
TV; Convergence; |
62 |
65-66 |
|
|
|
Mittell, Jason |
Narrative Complexity in Contemporary American Television |
2006 |
The Velvet Light Trap |
Narrative; Complexity; TV Series; |
58 |
29-40 |
|
|
|
Newman, Michael Z. |
From Beats to Arcs: Toward a Poetics of Television Narrative |
2006 |
The Velvet Light Trap |
Narrative; Arcs; TV Series; |
58 |
16-28 |
|
|
|
Castonguay, James |
Fictions of Terror: Complexity, Complicity and Insecurity inHomeland |
2015 |
Cinema Journal |
Homeland; Terror TV; |
54.4 |
139-145 |
|
|
|
Butler, Jeremy |
Statistical Analysis of Television Style: What Can Numbers Tell Us about TV Editing? |
2014 |
Cinema Journal |
TV; TV Editing; Statistical Analysis; TV Style; |
54.1 |
25-44 |
|
|
|
Steenberg, Lindsay; Tasker, Yvonne; |
“Pledge Allegiance”: Gendered Surveillance, Crime Television, andHomeland |
2015 |
Cinema Journal |
Homeland; Crime TV; Gender Studies; |
54.4 |
132-138 |
|
|
|
Joyrich, Lynne |
Queer Television Studies: Currents, Flows, and (Main)streams |
2014 |
Cinema Journal |
TV; Queer Studies; |
53.2 |
133-139 |
|
|
|
Tasker, Yvonne |
Television Crime Drama and Homeland Security: FromLaw & Orderto “Terror TV” |
2012 |
Cinema Journal |
TV; Terror TV; |
51.4 |
44-65 |
|
|
|
Levine, Elana |
Teaching the Politics of Television Culture in a “Post-Television” Era |
2011 |
Cinema Journal |
TV; Teaching TV; Post-Television; |
50.4 |
177-182 |
|
|
|
Nichols-Pethick, Jonathan |
Going with the Flow: On the Value of Randomness, Flexibility, and Getting Students In on the Conversation, or What I learned from Antoine Dodson |
2011 |
Cinema Journal |
TV; Teaching TV; |
50.4 |
182-187 |
|
|
|
Havens, Timothy |
Teaching the Lone Television Studies Graduate Seminar |
2011 |
Cinema Journal |
TV; Teaching TV; |
50.4 |
172-177 |
|
|
|
Kraszewski, Jon |
Hybridity, History, and the Identity of the Television Studies Teacher |
2011 |
Cinema Journal |
TV; Teaching TV; |
50.4 |
166-172 |
|
|
|
Kompare, Derek |
Filling the Box: Television in Higher Education |
2011 |
Cinema Journal |
TV; Teaching TV; |
50.4 |
161-165 |
|
|
|
Tinic, Serra |
Introduction: Teaching Television in a Postnetwork Era |
2011 |
Cinema Journal |
TV; Teaching TV; |
50.4 |
157-160 |
|
|
|
Garrison, Lindsay H. |
Defining Television Excellence “On Its Own Terms”. The Peabody Award and Negotiating Doscourses of Quality |
2011 |
Cinema Journal |
TV; Quality TV; |
50.2 |
160-165 |
|
|
|
Nichols-Pethick, Jonathan |
Nobody with a Good Script Needs to Be Justified |
2011 |
Cinema Journal |
TV; Writing; |
50.2 |
153-159 |
|
|
|
Henderson, Felicia D. |
The Culture Behind Closed Doors: Issues of Gender and Race in the Writer's Room |
2011 |
Cinema Journal |
TV; Gender studies; Race; |
50.2 |
145-152 |
|
|
|
Kessler, Kelly |
They Should Suffer Like the Rest of Us: Queer Equality in Narrative Mediocrity |
2011 |
Cinema Journal |
TV; Queer Studies; |
50.2 |
139-144 |
|
