| |
Author  |
Title |
Year |
Publication |
Keywords |
Volume |
Pages |
Links |
|
|
Innocenti, Veronica |
Introduction |
2012 |
Cinéma & Cie. |
TV series; Europe; 2000- |
XII/19 |
9-14 |
|
|
|
Joyrich, Lynne |
Queer Television Studies: Currents, Flows, and (Main)streams |
2014 |
Cinema Journal |
TV; Queer Studies; |
53.2 |
133-139 |
|
|
|
Joyrich, Lynne; Kavka, Misha; Weber, Brenda R. |
Project Reality TV: Preshow Special |
2015 |
Camera Obscura |
Reality TV; Feminist Theory; |
88 (30.1) |
01-set |
|
|
|
Kavka, Misha |
Sex on the Shore: Care and the Ethics of License in Jersey Shore |
2015 |
Camera Obscura |
Reality TV; Jersey Shore; Ethics; Sexuality; |
88 (30.1) |
101-127 |
|
|
|
Kessler, Kelly |
They Should Suffer Like the Rest of Us: Queer Equality in Narrative Mediocrity |
2011 |
Cinema Journal |
TV; Queer Studies; |
50.2 |
139-144 |
|
|
|
Kompare, Derek |
Filling the Box: Television in Higher Education |
2011 |
Cinema Journal |
TV; Teaching TV; |
50.4 |
161-165 |
|
|
|
Kraszewski, Jon |
Hybridity, History, and the Identity of the Television Studies Teacher |
2011 |
Cinema Journal |
TV; Teaching TV; |
50.4 |
166-172 |
|
|
|
Levine, Elana |
Teaching the Politics of Television Culture in a “Post-Television” Era |
2011 |
Cinema Journal |
TV; Teaching TV; Post-Television; |
50.4 |
177-182 |
|
|
|
Litwack, Michael |
Making Television Live: Mediating Biopolitics in Obesity Programming |
2015 |
Camera Obscura |
Reality TV; Obesity programming; Biopolitic; |
88 (30.1) |
41-69 |
|
|
|
Lynn Jones, Jennifer; Weber, Brenda R.; |
Reality Moms, Real Monsters: Transmediated Continuity, Reality Celebrity, and the Female Grotesque |
2015 |
Camera Obscura |
Reality TV; Grotesque; Motherhood; |
88 (30.1) |
nov-39 |
|
|
|
Miller, Toby |
Turn Off TV Studies! |
2005 |
Cinema Journal |
TV; TV Studies; |
45.1 |
98-101 |
|
|
|
Mittell, Jason |
Narrative Complexity in Contemporary American Television |
2006 |
The Velvet Light Trap |
Narrative; Complexity; TV Series; |
58 |
29-40 |
|
|
|
Mittell, Jason |
A Cultural Approach to Television Genre Theory |
2001 |
Cinema Journal |
TV; Genre; Cultural Studies; |
40.3 |
mar-24 |
|
|
|
Moseley, Rachel; Wheatley, Helen; |
Is Archiving a Feminist Issue? Historical Research and the Past, Present, and Future of Television Studies |
2008 |
Cinema Journal |
TV; TV Studies; |
47.3 |
152-158 |
|
|
|
Newcomb, Horace |
Studying Television: Same Questions, Different Contexts |
2005 |
Cinema Journal |
TV; TV Studies; |
45.1 |
107-111 |
|
|
|
Newman, Michael Z. |
From Beats to Arcs: Toward a Poetics of Television Narrative |
2006 |
The Velvet Light Trap |
Narrative; Arcs; TV Series; |
58 |
16-28 |
|
|
|
Nichols-Pethick, Jonathan |
Going with the Flow: On the Value of Randomness, Flexibility, and Getting Students In on the Conversation, or What I learned from Antoine Dodson |
2011 |
Cinema Journal |
TV; Teaching TV; |
50.4 |
182-187 |
|
|
|
Nichols-Pethick, Jonathan |
Nobody with a Good Script Needs to Be Justified |
2011 |
Cinema Journal |
TV; Writing; |
50.2 |
153-159 |
|
|
|
Orr Vered, Karen; McConchie, John; |
The Politics of Third Way TV:Supernannyand the Commercialization of Public Service TV |
2011 |
Camera Obscura |
Supernanny; Public Service TV; |
77 (26.2) |
33-63 |
|
|
|
Perren, Alisa |
In Conversation: Creativity in the Contemporary Cable Industry |
2011 |
Cinema Journal |
TV; Creativity; |
50.2 |
132-138 |
|
