|
|
Lu, S., 2000. Soap Opera in China: The Transnational Politics of Visuality, Sexuality, and Masculinity, Cinema Journal, 40.1, p. 25–47.
|
|
|
|
Burns, C.L., 2000. Erasure: Alienation, Paranoia, and the Loss of Memory inThe X-Files, Camera Obscura, 45 (15.3), p. 194–219.
|
|
|
|
Mittell, J., 2001. A Cultural Approach to Television Genre Theory, Cinema Journal, 40.3, mar-24.
|
|
|
|
Wang, S., 2003. Recontextualizing Copyright: Piracy, Hollywood, the State, and Globalization, Cinema Journal, 43.1, p. 25–43.
|
|
|
|
Klastrup, L., Tosca, S. &, 2004. Transmedial Worlds: Rethinking Cyberworld Design, Proceedings CW '04, p. 409–416.
|
|
|
|
Hilmes, M., 2005. The Bad Object: Television in the American Academy, Cinema Journal, 45.1, p. 111–116.
|
|
|
|
Newcomb, H., 2005. Studying Television: Same Questions, Different Contexts, Cinema Journal, 45.1, p. 107–111.
|
|
|
|
Hartley, J., 2005. Is Screen Studies a Load of Old Cobblers? And If So, Is That Good?, Cinema Journal, 45.1, p. 101–106.
|
|
|
|
Miller, T., 2005. Turn Off TV Studies!, Cinema Journal, 45.1, p. 98–101.
|
|
|
|
Caldwell, J.T., 2005. Welcome to the Viral Future of Cinema (Television), Cinema Journal, 45.1, p. 90–97.
|
|
|
|
Spigel, L., 2005. TV's Next Season?, Cinema Journal, 45.1, p. 83–90.
|
|
|
|
Boddy, W., 2005. In Focus: The Place of Television Studies, Cinema Journal, 45.1, p. 79–82.
|
|
|
|
Wlodarz, J., 2005. Maximum Insecurity: Genre Trouble and Closet Erotics in and out of HBO'sOz, Camera Obscura, 58 (20.1), p. 59–105.
|
|
|
|
Mittell, J., 2006. Narrative Complexity in Contemporary American Television, The Velvet Light Trap, 58, p. 29–40.
|
|
|
|
Newman, M.Z., 2006. From Beats to Arcs: Toward a Poetics of Television Narrative, The Velvet Light Trap, 58, p. 16–28.
|
|
|
|
Stenger, J., 2006. The Clothes Make the Fan: Fashion and Online Fandom whenBufy the Vampire SlayerGoes to eBay, Cinema Journal, 45.4, p. 26–44.
|
|
|
|
Hendershot, H., 2006. The Good, the Bad, and the Ugly: FromBuffy the Vampire SlayertoDr. 90210, Camera Obscura, 61 (21.1), p. 47–51.
|
|
|
|
Thompson, E., 2007. Comedy Verit_? The Observational Documentary Meets the Televisual Sitcom, The Velvet Light Trap, 60, p. 63–72.
|
|
|
|
Moore, C., 2007. Having It All Ways: The Tourist, the Traveler, and the Local inThe L Word, Cinema Journal, 46.4, mar-22.
|
|
|
|
Kompare, D., 2008. Remapping Media and Media Studies, The Velvet Light Trap, 62, p. 70–71.
|
|
