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Shapiro, S., 2015. Homeland's Crisis of Middle-Class Transformation, Cinema Journal, 54.4, p. 152–158.
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Bevan, A., 2015. The National Body, Women, and Mental Health in Homeland, Cinema Journal, 54.4, p. 145–151.
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Castonguay, J., 2015. Fictions of Terror: Complexity, Complicity and Insecurity inHomeland, Cinema Journal, 54.4, p. 139–145.
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Negra, D., Lagerwey, J. &, 2015. AnalyzingHomeland: Introduction, Cinema Journal, 54.4, p. 126–131.
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Steenberg, L., Tasker, Y. &, 2015. “Pledge Allegiance”: Gendered Surveillance, Crime Television, andHomeland, Cinema Journal, 54.4, p. 132–138.
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Liu, L., 2015. Occult Anxieties and the Recessionary Imainary in theParanormal ActivityFranchise, Camera Obscura, 90 (30.3), p. 61–91.
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Dominguez, P., 2015. “I'm Very Rich, Bitch!”: The Melodramatic Money Shot and the Excess of Racialized Gendered Affect in theReal HousewivesDocusoaps, Camera Obscura, 88 (30.1), p. 155–183.
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Feuer, J., 2015. “Quality” Reality and the Bravo Media Reality Series, Camera Obscura, 88 (30.1), p. 185–195.
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Warner, K.J., 2015. The Gon' Think You Loud Regardless: Ratchetness, Reality Television, and Black Womanhood, Camera Obscura, 88 (30.1), p. 129–153.
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Kavka, M., 2015. Sex on the Shore: Care and the Ethics of License in Jersey Shore, Camera Obscura, 88 (30.1), p. 101–127.
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Hargraves, H., 2015. (TV) Junkies in Need of anIntervention: On Addictive Spectatorship and Recovery Television, Camera Obscura, 88 (30.1), p. 71–99.
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Lynn Jones, J., Weber, B.R. &, 2015. Reality Moms, Real Monsters: Transmediated Continuity, Reality Celebrity, and the Female Grotesque, Camera Obscura, 88 (30.1), nov-39.
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Litwack, M., 2015. Making Television Live: Mediating Biopolitics in Obesity Programming, Camera Obscura, 88 (30.1), p. 41–69.
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Joyrich, L., Kavka, M. & Weber, B.R., 2015. Project Reality TV: Preshow Special, Camera Obscura, 88 (30.1), 01-set.
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Butler, J., 2014. Statistical Analysis of Television Style: What Can Numbers Tell Us about TV Editing?, Cinema Journal, 54.1, p. 25–44.
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Hunting, K., 2014. Furiously Franchised:Clueless, Convergence Culture, and the Female-Focused Franchise, Cinema Journal, 53.3, p. 145–151.
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O'Meara, J., 2014. “We've Got to Work on Your Accent and Vocabulary”: Characterization throguh Verbal Style inClueless, Cinema Journal, 53.3, p. 138–145.
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Ieppert, A., 2014. Can I Please Give You Some Advice?Cluelessand the Teen Makeover, Cinema Journal, 53.3, p. 131–137.
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Aslinger, B., 2014. Clueless about Listening Formations?, Cinema Journal, 53.3, p. 126–131.
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Lenos, M., 2014. Introduction:Clueless, Cinema Journal, 53.3, p. 123–126.
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