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Miller, T., 2005. Turn Off TV Studies!, Cinema Journal, 45.1, p. 98–101.
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Caldwell, J.T., 2005. Welcome to the Viral Future of Cinema (Television), Cinema Journal, 45.1, p. 90–97.
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Spigel, L., 2005. TV's Next Season?, Cinema Journal, 45.1, p. 83–90.
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Boddy, W., 2005. In Focus: The Place of Television Studies, Cinema Journal, 45.1, p. 79–82.
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Wlodarz, J., 2005. Maximum Insecurity: Genre Trouble and Closet Erotics in and out of HBO'sOz, Camera Obscura, 58 (20.1), p. 59–105.
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Klastrup, L., Tosca, S. &, 2004. Transmedial Worlds: Rethinking Cyberworld Design, Proceedings CW '04, p. 409–416.
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Wang, S., 2003. Recontextualizing Copyright: Piracy, Hollywood, the State, and Globalization, Cinema Journal, 43.1, p. 25–43.
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Mittell, J., 2001. A Cultural Approach to Television Genre Theory, Cinema Journal, 40.3, mar-24.
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Lu, S., 2000. Soap Opera in China: The Transnational Politics of Visuality, Sexuality, and Masculinity, Cinema Journal, 40.1, p. 25–47.
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Burns, C.L., 2000. Erasure: Alienation, Paranoia, and the Loss of Memory inThe X-Files, Camera Obscura, 45 (15.3), p. 194–219.
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