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Havens, T., 2011. Teaching the Lone Television Studies Graduate Seminar, Cinema Journal, 50.4, p. 172–177.
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Kraszewski, J., 2011. Hybridity, History, and the Identity of the Television Studies Teacher, Cinema Journal, 50.4, p. 166–172.
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Kompare, D., 2011. Filling the Box: Television in Higher Education, Cinema Journal, 50.4, p. 161–165.
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Tinic, S., 2011. Introduction: Teaching Television in a Postnetwork Era, Cinema Journal, 50.4, p. 157–160.
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Garrison, L.H., 2011. Defining Television Excellence “On Its Own Terms”. The Peabody Award and Negotiating Doscourses of Quality, Cinema Journal, 50.2, p. 160–165.
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Nichols-Pethick, J., 2011. Nobody with a Good Script Needs to Be Justified, Cinema Journal, 50.2, p. 153–159.
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Henderson, F.D., 2011. The Culture Behind Closed Doors: Issues of Gender and Race in the Writer's Room, Cinema Journal, 50.2, p. 145–152.
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Kessler, K., 2011. They Should Suffer Like the Rest of Us: Queer Equality in Narrative Mediocrity, Cinema Journal, 50.2, p. 139–144.
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Perren, A., 2011. In Conversation: Creativity in the Contemporary Cable Industry, Cinema Journal, 50.2, p. 132–138.
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Ross, S.M., 2011. Introduction: Writing and Producing TV in the Post-Network Era, Cinema Journal, 50.2, p. 128–131.
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Orr Vered, K., McConchie, J. &, 2011. The Politics of Third Way TV:Supernannyand the Commercialization of Public Service TV, Camera Obscura, 77 (26.2), p. 33–63.
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Maitra, A., 2010. Why Isn't Michelle Lopez onJudge Judy? Citizenship and Televisuality in Hima B.'sAnd I Do Survive, Camera Obscura, 74 (25.2), p. 183–195.
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Scolari, C.A., 2009. Transmedia Storytelling: Implicit Consumers, Narrative Worlds, and Branding in Contemporary Media Production, International Journal of Communication, 3, p. 586–606.
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Nakamura, L., 2009. Interfaces of Identity: Oriental Traitors and Telematic Profiling in24, Camera Obscura, 70 (24.1), p. 109–133.
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Kompare, D., 2008. Remapping Media and Media Studies, The Velvet Light Trap, 62, p. 70–71.
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Hay, J., 2008. Outside Media: Toward a Study of Watching Ourselves through Mobile Media, The Velvet Light Trap, 62, p. 66–68.
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Govil, N., 2008. Where Did the Televisions Go?, The Velvet Light Trap, 62, p. 65–66.
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Bennett, J., 2008. Television Studies Goes Digital, Cinema Journal, 47.3, p. 158–165.
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Moseley, R., Wheatley, H. &, 2008. Is Archiving a Feminist Issue? Historical Research and the Past, Present, and Future of Television Studies, Cinema Journal, 47.3, p. 152–158.
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Wood, H., Taylor, L. &, 2008. Feeling Sentimental about Television and Audiences, Cinema Journal, 47.3, p. 144–151.
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