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Levine, E., 2011. Teaching the Politics of Television Culture in a “Post-Television” Era, Cinema Journal, 50.4, p. 177–182.
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Tasker, Y., 2012. Television Crime Drama and Homeland Security: FromLaw & Orderto “Terror TV”, Cinema Journal, 51.4, p. 44–65.
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Bennett, J., 2008. Television Studies Goes Digital, Cinema Journal, 47.3, p. 158–165.
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Hilmes, M., 2005. The Bad Object: Television in the American Academy, Cinema Journal, 45.1, p. 111–116.
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Schneider, A., 2008. The Cinema Is the Theater, the School and the Newspaper of Tomorrow>>: Writing the History of Cinema's Mobility, Cinéma & Cie., 11, p. 57–64.
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Stenger, J., 2006. The Clothes Make the Fan: Fashion and Online Fandom whenBufy the Vampire SlayerGoes to eBay, Cinema Journal, 45.4, p. 26–44.
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Henderson, F.D., 2011. The Culture Behind Closed Doors: Issues of Gender and Race in the Writer's Room, Cinema Journal, 50.2, p. 145–152.
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The Light Brigade, 2008. The Filmic Experience: A Map, Cinéma & Cie., 11, p. 65–68.
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Warner, K.J., 2015. The Gon' Think You Loud Regardless: Ratchetness, Reality Television, and Black Womanhood, Camera Obscura, 88 (30.1), p. 129–153.
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Hendershot, H., 2006. The Good, the Bad, and the Ugly: FromBuffy the Vampire SlayertoDr. 90210, Camera Obscura, 61 (21.1), p. 47–51.
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Casetti, F., 2008. The Last Supperin Piazza della Scala, Cinéma & Cie., 11, lug-14.
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Bevan, A., 2015. The National Body, Women, and Mental Health in Homeland, Cinema Journal, 54.4, p. 145–151.
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Fan, V., 2012. The Poetics of Addiction: Stardom, “Feminized” Spectatorship, and Interregional Business Relations in theTwilightSeries, Camera Obscura, 79 (27.1), p. 31–67.
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Orr Vered, K., McConchie, J. &, 2011. The Politics of Third Way TV:Supernannyand the Commercialization of Public Service TV, Camera Obscura, 77 (26.2), p. 33–63.
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Diego, P., del Mar Grandío, M. &, 2012. The Production of TV Fiction Adaptations in Spain (1950-2012), Cinéma & Cie., XII/19, p. 105–116.
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Tralli, L., 2012. There's Nothing Like an English Summer, Is There? Except and English Winter. Downton Abbey, A British Cult TV Series and Its Fandom, Cinéma & Cie., XII/19, p. 61–72.
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Kessler, K., 2011. They Should Suffer Like the Rest of Us: Queer Equality in Narrative Mediocrity, Cinema Journal, 50.2, p. 139–144.
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De Rosa, M., 2008. To Look, To Wander: Cinema in Installations, Cinéma & Cie., 11, p. 31–40.
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Scolari, C.A., 2009. Transmedia Storytelling: Implicit Consumers, Narrative Worlds, and Branding in Contemporary Media Production, International Journal of Communication, 3, p. 586–606.
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Ryan, M.L., 2012. Transmedial Storytelling and Transfictionality, Poetics Today, 34:03:00, p. 361–388.
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