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Mittell, J., 2006. Narrative Complexity in Contemporary American Television, The Velvet Light Trap, 58, p. 29–40.
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Papin, B., 2012. Nicolas Le Floch, un bon produit <<ö l'export>>? Rflections sur la diffusion et la rception internationale d'une s_rie historique (très) française..., Cinéma & Cie., XII/19, p. 15–24.
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Nichols-Pethick, J., 2011. Nobody with a Good Script Needs to Be Justified, Cinema Journal, 50.2, p. 153–159.
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Agger, G., 2012. Nordic Noir on Television:The Killing I-III, Cinéma & Cie., XII/19, p. 39–50.
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Liu, L., 2015. Occult Anxieties and the Recessionary Imainary in theParanormal ActivityFranchise, Camera Obscura, 90 (30.3), p. 61–91.
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Hay, J., 2008. Outside Media: Toward a Study of Watching Ourselves through Mobile Media, The Velvet Light Trap, 62, p. 66–68.
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Joyrich, L., Kavka, M. & Weber, B.R., 2015. Project Reality TV: Preshow Special, Camera Obscura, 88 (30.1), 01-set.
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Joyrich, L., 2014. Queer Television Studies: Currents, Flows, and (Main)streams, Cinema Journal, 53.2, p. 133–139.
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Tosatto, C., 2008. Re-Spatialization of Filmic Representation: Connected Spaces, Cinéma & Cie., 11, p. 41–48.
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Lynn Jones, J., Weber, B.R. &, 2015. Reality Moms, Real Monsters: Transmediated Continuity, Reality Celebrity, and the Female Grotesque, Camera Obscura, 88 (30.1), nov-39.
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Wang, S., 2003. Recontextualizing Copyright: Piracy, Hollywood, the State, and Globalization, Cinema Journal, 43.1, p. 25–43.
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Dusi, N., 2012. Remaking as a Practice: Some Problems of Transmediality, Cinéma & Cie., XII/18, p. 115–130.
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Kompare, D., 2008. Remapping Media and Media Studies, The Velvet Light Trap, 62, p. 70–71.
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Kavka, M., 2015. Sex on the Shore: Care and the Ethics of License in Jersey Shore, Camera Obscura, 88 (30.1), p. 101–127.
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Lischi, S., 2008. Site Specific, Placeless. Reflections on the Relocation of Cinema Onto Video, Cinéma & Cie., 11, p. 23–30.
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Lu, S., 2000. Soap Opera in China: The Transnational Politics of Visuality, Sexuality, and Masculinity, Cinema Journal, 40.1, p. 25–47.
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Butler, J., 2014. Statistical Analysis of Television Style: What Can Numbers Tell Us about TV Editing?, Cinema Journal, 54.1, p. 25–44.
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Newcomb, H., 2005. Studying Television: Same Questions, Different Contexts, Cinema Journal, 45.1, p. 107–111.
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Havens, T., 2011. Teaching the Lone Television Studies Graduate Seminar, Cinema Journal, 50.4, p. 172–177.
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