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Newman, M.Z., 2006. From Beats to Arcs: Toward a Poetics of Television Narrative, The Velvet Light Trap, 58, p. 16–28.
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Hunting, K., 2014. Furiously Franchised:Clueless, Convergence Culture, and the Female-Focused Franchise, Cinema Journal, 53.3, p. 145–151.
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Nichols-Pethick, J., 2011. Going with the Flow: On the Value of Randomness, Flexibility, and Getting Students In on the Conversation, or What I learned from Antoine Dodson, Cinema Journal, 50.4, p. 182–187.
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Moore, C., 2007. Having It All Ways: The Tourist, the Traveler, and the Local inThe L Word, Cinema Journal, 46.4, mar-22.
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Shapiro, S., 2015. Homeland's Crisis of Middle-Class Transformation, Cinema Journal, 54.4, p. 152–158.
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Kraszewski, J., 2011. Hybridity, History, and the Identity of the Television Studies Teacher, Cinema Journal, 50.4, p. 166–172.
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Szostak, S., 2012. Imitation, Borrowing, Recycling. American Models and Polish Domestic Drama, Cinéma & Cie., XII/19, p. 73–92.
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Perren, A., 2011. In Conversation: Creativity in the Contemporary Cable Industry, Cinema Journal, 50.2, p. 132–138.
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Boddy, W., 2005. In Focus: The Place of Television Studies, Cinema Journal, 45.1, p. 79–82.
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Nakamura, L., 2009. Interfaces of Identity: Oriental Traitors and Telematic Profiling in24, Camera Obscura, 70 (24.1), p. 109–133.
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Innocenti, V., 2012. Introduction, Cinéma & Cie., XII/19, p. 9–14.
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Brundson, C., 2008. Introduction – In Focus: The Place of Television Studies: A View from the British Midlands, Cinema Journal, 47.3, p. 122–127.
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Tinic, S., 2011. Introduction: Teaching Television in a Postnetwork Era, Cinema Journal, 50.4, p. 157–160.
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Ross, S.M., 2011. Introduction: Writing and Producing TV in the Post-Network Era, Cinema Journal, 50.2, p. 128–131.
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Lenos, M., 2014. Introduction:Clueless, Cinema Journal, 53.3, p. 123–126.
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Moseley, R., Wheatley, H. &, 2008. Is Archiving a Feminist Issue? Historical Research and the Past, Present, and Future of Television Studies, Cinema Journal, 47.3, p. 152–158.
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Hartley, J., 2005. Is Screen Studies a Load of Old Cobblers? And If So, Is That Good?, Cinema Journal, 45.1, p. 101–106.
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Brundson, C., 2008. Is Television Studies History?, Cinema Journal, 47.3, p. 127–137.
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Boisvert, S., 2012. La Notion de qualité télévisuelle dans la production fictionelle britannique, Cinéma & Cie., XII/19, p. 51–60.
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Litwack, M., 2015. Making Television Live: Mediating Biopolitics in Obesity Programming, Camera Obscura, 88 (30.1), p. 41–69.
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