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Kompare, D., 2008. Remapping Media and Media Studies, The Velvet Light Trap, 62, p. 70–71.
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Hay, J., 2008. Outside Media: Toward a Study of Watching Ourselves through Mobile Media, The Velvet Light Trap, 62, p. 66–68.
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Govil, N., 2008. Where Did the Televisions Go?, The Velvet Light Trap, 62, p. 65–66.
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Thompson, E., 2007. Comedy Verit_? The Observational Documentary Meets the Televisual Sitcom, The Velvet Light Trap, 60, p. 63–72.
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Mittell, J., 2006. Narrative Complexity in Contemporary American Television, The Velvet Light Trap, 58, p. 29–40.
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Newman, M.Z., 2006. From Beats to Arcs: Toward a Poetics of Television Narrative, The Velvet Light Trap, 58, p. 16–28.
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Shapiro, S., 2015. Homeland's Crisis of Middle-Class Transformation, Cinema Journal, 54.4, p. 152–158.
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Castonguay, J., 2015. Fictions of Terror: Complexity, Complicity and Insecurity inHomeland, Cinema Journal, 54.4, p. 139–145.
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Butler, J., 2014. Statistical Analysis of Television Style: What Can Numbers Tell Us about TV Editing?, Cinema Journal, 54.1, p. 25–44.
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Negra, D., Lagerwey, J. &, 2015. AnalyzingHomeland: Introduction, Cinema Journal, 54.4, p. 126–131.
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Steenberg, L., Tasker, Y. &, 2015. “Pledge Allegiance”: Gendered Surveillance, Crime Television, andHomeland, Cinema Journal, 54.4, p. 132–138.
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Hunting, K., 2014. Furiously Franchised:Clueless, Convergence Culture, and the Female-Focused Franchise, Cinema Journal, 53.3, p. 145–151.
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O'Meara, J., 2014. “We've Got to Work on Your Accent and Vocabulary”: Characterization throguh Verbal Style inClueless, Cinema Journal, 53.3, p. 138–145.
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Ieppert, A., 2014. Can I Please Give You Some Advice?Cluelessand the Teen Makeover, Cinema Journal, 53.3, p. 131–137.
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Aslinger, B., 2014. Clueless about Listening Formations?, Cinema Journal, 53.3, p. 126–131.
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Lenos, M., 2014. Introduction:Clueless, Cinema Journal, 53.3, p. 123–126.
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Joyrich, L., 2014. Queer Television Studies: Currents, Flows, and (Main)streams, Cinema Journal, 53.2, p. 133–139.
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Johnson, D., 2012. Cinematic Destiny: Marvel Studios and the Trade Stories of Industrial Convergence, Cinema Journal, 52.1, gen-24.
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Tasker, Y., 2012. Television Crime Drama and Homeland Security: FromLaw & Orderto “Terror TV”, Cinema Journal, 51.4, p. 44–65.
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Levine, E., 2011. Teaching the Politics of Television Culture in a “Post-Television” Era, Cinema Journal, 50.4, p. 177–182.
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