|
|
Newcomb, H., 2005. Studying Television: Same Questions, Different Contexts, Cinema Journal, 45.1, p. 107–111.
|
|
|
|
Hartley, J., 2005. Is Screen Studies a Load of Old Cobblers? And If So, Is That Good?, Cinema Journal, 45.1, p. 101–106.
|
|
|
|
Miller, T., 2005. Turn Off TV Studies!, Cinema Journal, 45.1, p. 98–101.
|
|
|
|
Caldwell, J.T., 2005. Welcome to the Viral Future of Cinema (Television), Cinema Journal, 45.1, p. 90–97.
|
|
|
|
Spigel, L., 2005. TV's Next Season?, Cinema Journal, 45.1, p. 83–90.
|
|
|
|
Boddy, W., 2005. In Focus: The Place of Television Studies, Cinema Journal, 45.1, p. 79–82.
|
|
|
|
Wang, S., 2003. Recontextualizing Copyright: Piracy, Hollywood, the State, and Globalization, Cinema Journal, 43.1, p. 25–43.
|
|
|
|
Mittell, J., 2001. A Cultural Approach to Television Genre Theory, Cinema Journal, 40.3, mar-24.
|
|
|
|
Lu, S., 2000. Soap Opera in China: The Transnational Politics of Visuality, Sexuality, and Masculinity, Cinema Journal, 40.1, p. 25–47.
|
|
|
|
Liu, L., 2015. Occult Anxieties and the Recessionary Imainary in theParanormal ActivityFranchise, Camera Obscura, 90 (30.3), p. 61–91.
|
|
|
|
Dominguez, P., 2015. “I'm Very Rich, Bitch!”: The Melodramatic Money Shot and the Excess of Racialized Gendered Affect in theReal HousewivesDocusoaps, Camera Obscura, 88 (30.1), p. 155–183.
|
|
|
|
Feuer, J., 2015. “Quality” Reality and the Bravo Media Reality Series, Camera Obscura, 88 (30.1), p. 185–195.
|
|
|
|
Warner, K.J., 2015. The Gon' Think You Loud Regardless: Ratchetness, Reality Television, and Black Womanhood, Camera Obscura, 88 (30.1), p. 129–153.
|
|
|
|
Kavka, M., 2015. Sex on the Shore: Care and the Ethics of License in Jersey Shore, Camera Obscura, 88 (30.1), p. 101–127.
|
|
|
|
Hargraves, H., 2015. (TV) Junkies in Need of anIntervention: On Addictive Spectatorship and Recovery Television, Camera Obscura, 88 (30.1), p. 71–99.
|
|
|
|
Lynn Jones, J., Weber, B.R. &, 2015. Reality Moms, Real Monsters: Transmediated Continuity, Reality Celebrity, and the Female Grotesque, Camera Obscura, 88 (30.1), nov-39.
|
|
|
|
Litwack, M., 2015. Making Television Live: Mediating Biopolitics in Obesity Programming, Camera Obscura, 88 (30.1), p. 41–69.
|
|
|
|
Joyrich, L., Kavka, M. & Weber, B.R., 2015. Project Reality TV: Preshow Special, Camera Obscura, 88 (30.1), 01-set.
|
|
|
|
Smit, A., 2014. Care, Shame, and Intimacy: Reconsidering the Pleasures of Plastic Surgery Reality Television, Camera Obscura, 86 (29.2), p. 59–83.
|
|
|
|
Richards, J., 2013. Berlin Alexanderplatz's Serial Women, Camera Obscura, 84 (28.3), mar-84.
|
|
