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Pekman, C., Tüzün, S. &, 2012. Turkish Television Dramas: The Economy and Beyond, Cinéma & Cie., XII/19, p. 93–104.
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Diego, P., del Mar Grandío, M. &, 2012. The Production of TV Fiction Adaptations in Spain (1950-2012), Cinéma & Cie., XII/19, p. 105–116.
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Boisvert, S., 2012. La Notion de qualité télévisuelle dans la production fictionelle britannique, Cinéma & Cie., XII/19, p. 51–60.
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Tralli, L., 2012. There's Nothing Like an English Summer, Is There? Except and English Winter. Downton Abbey, A British Cult TV Series and Its Fandom, Cinéma & Cie., XII/19, p. 61–72.
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Agger, G., 2012. Nordic Noir on Television:The Killing I-III, Cinéma & Cie., XII/19, p. 39–50.
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Innocenti, V., 2012. Introduction, Cinéma & Cie., XII/19, p. 9–14.
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Papin, B., 2012. Nicolas Le Floch, un bon produit <<ö l'export>>? Rflections sur la diffusion et la rception internationale d'une s_rie historique (très) française..., Cinéma & Cie., XII/19, p. 15–24.
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Valentini, P., 2012. Whodonit? Rai TV Fiction Production Between Detection andGiallo, Cinéma & Cie., XII/19, p. 25–38.
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Dusi, N., 2012. Remaking as a Practice: Some Problems of Transmediality, Cinéma & Cie., XII/18, p. 115–130.
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The Light Brigade, 2008. The Filmic Experience: A Map, Cinéma & Cie., 11, p. 65–68.
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Schneider, A., 2008. The Cinema Is the Theater, the School and the Newspaper of Tomorrow>>: Writing the History of Cinema's Mobility, Cinéma & Cie., 11, p. 57–64.
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Casetti, F., 2008. The Last Supperin Piazza della Scala, Cinéma & Cie., 11, lug-14.
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Hagener, M., 2008. Where Is Cinema (Today)? The Cinema in the Age of Media Immanence, Cinéma & Cie., 11, p. 15–22.
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Lischi, S., 2008. Site Specific, Placeless. Reflections on the Relocation of Cinema Onto Video, Cinéma & Cie., 11, p. 23–30.
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De Rosa, M., 2008. To Look, To Wander: Cinema in Installations, Cinéma & Cie., 11, p. 31–40.
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D'Aloia, A., 2008. Virtual Screens. The Relocation of Cinema inSecond Life, Cinéma & Cie., 11, p. 49–56.
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Tosatto, C., 2008. Re-Spatialization of Filmic Representation: Connected Spaces, Cinéma & Cie., 11, p. 41–48.
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Shapiro, S., 2015. Homeland's Crisis of Middle-Class Transformation, Cinema Journal, 54.4, p. 152–158.
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Bevan, A., 2015. The National Body, Women, and Mental Health in Homeland, Cinema Journal, 54.4, p. 145–151.
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Castonguay, J., 2015. Fictions of Terror: Complexity, Complicity and Insecurity inHomeland, Cinema Journal, 54.4, p. 139–145.
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