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Nakamura, L., 2009. Interfaces of Identity: Oriental Traitors and Telematic Profiling in24, Camera Obscura, 70 (24.1), p. 109–133.
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Maitra, A., 2010. Why Isn't Michelle Lopez onJudge Judy? Citizenship and Televisuality in Hima B.'sAnd I Do Survive, Camera Obscura, 74 (25.2), p. 183–195.
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Kustritz, A., 2012. Breeding Unity:Battlestar Galactica's Biracial Reproductive Futurity, Camera Obscura, 81 (27.3), gen-37.
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Richards, J., 2013. Berlin Alexanderplatz's Serial Women, Camera Obscura, 84 (28.3), mar-84.
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Stenger, J., 2006. The Clothes Make the Fan: Fashion and Online Fandom whenBufy the Vampire SlayerGoes to eBay, Cinema Journal, 45.4, p. 26–44.
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Wang, S., 2003. Recontextualizing Copyright: Piracy, Hollywood, the State, and Globalization, Cinema Journal, 43.1, p. 25–43.
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The Light Brigade, 2008. The Filmic Experience: A Map, Cinéma & Cie., 11, p. 65–68.
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Schneider, A., 2008. The Cinema Is the Theater, the School and the Newspaper of Tomorrow>>: Writing the History of Cinema's Mobility, Cinéma & Cie., 11, p. 57–64.
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Hagener, M., 2008. Where Is Cinema (Today)? The Cinema in the Age of Media Immanence, Cinéma & Cie., 11, p. 15–22.
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Aslinger, B., 2014. Clueless about Listening Formations?, Cinema Journal, 53.3, p. 126–131.
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Hunting, K., 2014. Furiously Franchised:Clueless, Convergence Culture, and the Female-Focused Franchise, Cinema Journal, 53.3, p. 145–151.
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Lenos, M., 2014. Introduction:Clueless, Cinema Journal, 53.3, p. 123–126.
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Ieppert, A., 2014. Can I Please Give You Some Advice?Cluelessand the Teen Makeover, Cinema Journal, 53.3, p. 131–137.
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O'Meara, J., 2014. “We've Got to Work on Your Accent and Vocabulary”: Characterization throguh Verbal Style inClueless, Cinema Journal, 53.3, p. 138–145.
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Klastrup, L., Tosca, S. &, 2004. Transmedial Worlds: Rethinking Cyberworld Design, Proceedings CW '04, p. 409–416.
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Casetti, F., 2008. The Last Supperin Piazza della Scala, Cinéma & Cie., 11, lug-14.
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Tralli, L., 2012. There's Nothing Like an English Summer, Is There? Except and English Winter. Downton Abbey, A British Cult TV Series and Its Fandom, Cinéma & Cie., XII/19, p. 61–72.
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Shapiro, S., 2015. Homeland's Crisis of Middle-Class Transformation, Cinema Journal, 54.4, p. 152–158.
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Negra, D., Lagerwey, J. &, 2015. AnalyzingHomeland: Introduction, Cinema Journal, 54.4, p. 126–131.
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Steenberg, L., Tasker, Y. &, 2015. “Pledge Allegiance”: Gendered Surveillance, Crime Television, andHomeland, Cinema Journal, 54.4, p. 132–138.
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