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Holdsworth, A., 2008. "Television Resurrections: Television and Memory, Cinema Journal, 47.3, p. 137–144.
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Moore, C., 2007. Having It All Ways: The Tourist, the Traveler, and the Local inThe L Word, Cinema Journal, 46.4, mar-22.
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Stenger, J., 2006. The Clothes Make the Fan: Fashion and Online Fandom whenBufy the Vampire SlayerGoes to eBay, Cinema Journal, 45.4, p. 26–44.
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Hilmes, M., 2005. The Bad Object: Television in the American Academy, Cinema Journal, 45.1, p. 111–116.
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Newcomb, H., 2005. Studying Television: Same Questions, Different Contexts, Cinema Journal, 45.1, p. 107–111.
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Hartley, J., 2005. Is Screen Studies a Load of Old Cobblers? And If So, Is That Good?, Cinema Journal, 45.1, p. 101–106.
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Miller, T., 2005. Turn Off TV Studies!, Cinema Journal, 45.1, p. 98–101.
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Caldwell, J.T., 2005. Welcome to the Viral Future of Cinema (Television), Cinema Journal, 45.1, p. 90–97.
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Spigel, L., 2005. TV's Next Season?, Cinema Journal, 45.1, p. 83–90.
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Boddy, W., 2005. In Focus: The Place of Television Studies, Cinema Journal, 45.1, p. 79–82.
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Wang, S., 2003. Recontextualizing Copyright: Piracy, Hollywood, the State, and Globalization, Cinema Journal, 43.1, p. 25–43.
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Mittell, J., 2001. A Cultural Approach to Television Genre Theory, Cinema Journal, 40.3, mar-24.
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Lu, S., 2000. Soap Opera in China: The Transnational Politics of Visuality, Sexuality, and Masculinity, Cinema Journal, 40.1, p. 25–47.
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Liu, L., 2015. Occult Anxieties and the Recessionary Imainary in theParanormal ActivityFranchise, Camera Obscura, 90 (30.3), p. 61–91.
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Dominguez, P., 2015. “I'm Very Rich, Bitch!”: The Melodramatic Money Shot and the Excess of Racialized Gendered Affect in theReal HousewivesDocusoaps, Camera Obscura, 88 (30.1), p. 155–183.
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Feuer, J., 2015. “Quality” Reality and the Bravo Media Reality Series, Camera Obscura, 88 (30.1), p. 185–195.
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Warner, K.J., 2015. The Gon' Think You Loud Regardless: Ratchetness, Reality Television, and Black Womanhood, Camera Obscura, 88 (30.1), p. 129–153.
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Kavka, M., 2015. Sex on the Shore: Care and the Ethics of License in Jersey Shore, Camera Obscura, 88 (30.1), p. 101–127.
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Hargraves, H., 2015. (TV) Junkies in Need of anIntervention: On Addictive Spectatorship and Recovery Television, Camera Obscura, 88 (30.1), p. 71–99.
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Lynn Jones, J., Weber, B.R. &, 2015. Reality Moms, Real Monsters: Transmediated Continuity, Reality Celebrity, and the Female Grotesque, Camera Obscura, 88 (30.1), nov-39.
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