| 
Citations
 | 
   web
Garrison, L.H., 2011. Defining Television Excellence “On Its Own Terms”. The Peabody Award and Negotiating Doscourses of Quality, Cinema Journal, 50.2, p. 160–165.
toggle visibility
Govil, N., 2008. Where Did the Televisions Go?, The Velvet Light Trap, 62, p. 65–66.
toggle visibility
Hagener, M., 2008. Where Is Cinema (Today)? The Cinema in the Age of Media Immanence, Cinéma & Cie., 11, p. 15–22.
toggle visibility
Hargraves, H., 2015. (TV) Junkies in Need of anIntervention: On Addictive Spectatorship and Recovery Television, Camera Obscura, 88 (30.1), p. 71–99.
toggle visibility
Hartley, J., 2005. Is Screen Studies a Load of Old Cobblers? And If So, Is That Good?, Cinema Journal, 45.1, p. 101–106.
toggle visibility
Havens, T., 2011. Teaching the Lone Television Studies Graduate Seminar, Cinema Journal, 50.4, p. 172–177.
toggle visibility
Hay, J., 2008. Outside Media: Toward a Study of Watching Ourselves through Mobile Media, The Velvet Light Trap, 62, p. 66–68.
toggle visibility
Hendershot, H., 2006. The Good, the Bad, and the Ugly: FromBuffy the Vampire SlayertoDr. 90210, Camera Obscura, 61 (21.1), p. 47–51.
toggle visibility
Henderson, F.D., 2011. The Culture Behind Closed Doors: Issues of Gender and Race in the Writer's Room, Cinema Journal, 50.2, p. 145–152.
toggle visibility
Hilmes, M., 2005. The Bad Object: Television in the American Academy, Cinema Journal, 45.1, p. 111–116.
toggle visibility
Holdsworth, A., 2008. "Television Resurrections: Television and Memory, Cinema Journal, 47.3, p. 137–144.
toggle visibility
Hunting, K., 2014. Furiously Franchised:Clueless, Convergence Culture, and the Female-Focused Franchise, Cinema Journal, 53.3, p. 145–151.
toggle visibility
Ieppert, A., 2014. Can I Please Give You Some Advice?Cluelessand the Teen Makeover, Cinema Journal, 53.3, p. 131–137.
toggle visibility
Innocenti, V., 2012. Introduction, Cinéma & Cie., XII/19, p. 9–14.
toggle visibility
Johnson, D., 2012. Cinematic Destiny: Marvel Studios and the Trade Stories of Industrial Convergence, Cinema Journal, 52.1, gen-24.
toggle visibility
Joyrich, L., 2014. Queer Television Studies: Currents, Flows, and (Main)streams, Cinema Journal, 53.2, p. 133–139.
toggle visibility
Joyrich, L., Kavka, M. & Weber, B.R., 2015. Project Reality TV: Preshow Special, Camera Obscura, 88 (30.1), 01-set.
toggle visibility
Kavka, M., 2015. Sex on the Shore: Care and the Ethics of License in Jersey Shore, Camera Obscura, 88 (30.1), p. 101–127.
toggle visibility
Kessler, K., 2011. They Should Suffer Like the Rest of Us: Queer Equality in Narrative Mediocrity, Cinema Journal, 50.2, p. 139–144.
toggle visibility
Klastrup, L., Tosca, S. &, 2004. Transmedial Worlds: Rethinking Cyberworld Design, Proceedings CW '04, p. 409–416.
toggle visibility