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Agger, G., 2012. Nordic Noir on Television:The Killing I-III, Cinéma & Cie., XII/19, p. 39–50.
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Aslinger, B., 2014. Clueless about Listening Formations?, Cinema Journal, 53.3, p. 126–131.
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Bennett, J., 2008. Television Studies Goes Digital, Cinema Journal, 47.3, p. 158–165.
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Bevan, A., 2015. The National Body, Women, and Mental Health in Homeland, Cinema Journal, 54.4, p. 145–151.
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Boddy, W., 2005. In Focus: The Place of Television Studies, Cinema Journal, 45.1, p. 79–82.
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Boisvert, S., 2012. La Notion de qualité télévisuelle dans la production fictionelle britannique, Cinéma & Cie., XII/19, p. 51–60.
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Brundson, C., 2008. Is Television Studies History?, Cinema Journal, 47.3, p. 127–137.
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Brundson, C., 2008. Introduction – In Focus: The Place of Television Studies: A View from the British Midlands, Cinema Journal, 47.3, p. 122–127.
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Burns, C.L., 2000. Erasure: Alienation, Paranoia, and the Loss of Memory inThe X-Files, Camera Obscura, 45 (15.3), p. 194–219.
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Butler, J., 2014. Statistical Analysis of Television Style: What Can Numbers Tell Us about TV Editing?, Cinema Journal, 54.1, p. 25–44.
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Caldwell, J.T., 2005. Welcome to the Viral Future of Cinema (Television), Cinema Journal, 45.1, p. 90–97.
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Casetti, F., 2008. The Last Supperin Piazza della Scala, Cinéma & Cie., 11, lug-14.
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Castonguay, J., 2015. Fictions of Terror: Complexity, Complicity and Insecurity inHomeland, Cinema Journal, 54.4, p. 139–145.
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D'Aloia, A., 2008. Virtual Screens. The Relocation of Cinema inSecond Life, Cinéma & Cie., 11, p. 49–56.
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De Rosa, M., 2008. To Look, To Wander: Cinema in Installations, Cinéma & Cie., 11, p. 31–40.
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Diego, P., del Mar Grandío, M. &, 2012. The Production of TV Fiction Adaptations in Spain (1950-2012), Cinéma & Cie., XII/19, p. 105–116.
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Dominguez, P., 2015. “I'm Very Rich, Bitch!”: The Melodramatic Money Shot and the Excess of Racialized Gendered Affect in theReal HousewivesDocusoaps, Camera Obscura, 88 (30.1), p. 155–183.
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Dusi, N., 2012. Remaking as a Practice: Some Problems of Transmediality, Cinéma & Cie., XII/18, p. 115–130.
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Fan, V., 2012. The Poetics of Addiction: Stardom, “Feminized” Spectatorship, and Interregional Business Relations in theTwilightSeries, Camera Obscura, 79 (27.1), p. 31–67.
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Feuer, J., 2015. “Quality” Reality and the Bravo Media Reality Series, Camera Obscura, 88 (30.1), p. 185–195.
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