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Steenberg, L., Tasker, Y. &, 2015. “Pledge Allegiance”: Gendered Surveillance, Crime Television, andHomeland, Cinema Journal, 54.4, p. 132–138.
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Holdsworth, A., 2008. "Television Resurrections: Television and Memory, Cinema Journal, 47.3, p. 137–144.
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O'Meara, J., 2014. “We've Got to Work on Your Accent and Vocabulary”: Characterization throguh Verbal Style inClueless, Cinema Journal, 53.3, p. 138–145.
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Mittell, J., 2001. A Cultural Approach to Television Genre Theory, Cinema Journal, 40.3, mar-24.
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Negra, D., Lagerwey, J. &, 2015. AnalyzingHomeland: Introduction, Cinema Journal, 54.4, p. 126–131.
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Ieppert, A., 2014. Can I Please Give You Some Advice?Cluelessand the Teen Makeover, Cinema Journal, 53.3, p. 131–137.
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Johnson, D., 2012. Cinematic Destiny: Marvel Studios and the Trade Stories of Industrial Convergence, Cinema Journal, 52.1, gen-24.
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Aslinger, B., 2014. Clueless about Listening Formations?, Cinema Journal, 53.3, p. 126–131.
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Garrison, L.H., 2011. Defining Television Excellence “On Its Own Terms”. The Peabody Award and Negotiating Doscourses of Quality, Cinema Journal, 50.2, p. 160–165.
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Wood, H., Taylor, L. &, 2008. Feeling Sentimental about Television and Audiences, Cinema Journal, 47.3, p. 144–151.
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Castonguay, J., 2015. Fictions of Terror: Complexity, Complicity and Insecurity inHomeland, Cinema Journal, 54.4, p. 139–145.
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Kompare, D., 2011. Filling the Box: Television in Higher Education, Cinema Journal, 50.4, p. 161–165.
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Hunting, K., 2014. Furiously Franchised:Clueless, Convergence Culture, and the Female-Focused Franchise, Cinema Journal, 53.3, p. 145–151.
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Nichols-Pethick, J., 2011. Going with the Flow: On the Value of Randomness, Flexibility, and Getting Students In on the Conversation, or What I learned from Antoine Dodson, Cinema Journal, 50.4, p. 182–187.
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Moore, C., 2007. Having It All Ways: The Tourist, the Traveler, and the Local inThe L Word, Cinema Journal, 46.4, mar-22.
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Shapiro, S., 2015. Homeland's Crisis of Middle-Class Transformation, Cinema Journal, 54.4, p. 152–158.
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Kraszewski, J., 2011. Hybridity, History, and the Identity of the Television Studies Teacher, Cinema Journal, 50.4, p. 166–172.
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Perren, A., 2011. In Conversation: Creativity in the Contemporary Cable Industry, Cinema Journal, 50.2, p. 132–138.
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Boddy, W., 2005. In Focus: The Place of Television Studies, Cinema Journal, 45.1, p. 79–82.
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Brundson, C., 2008. Introduction – In Focus: The Place of Television Studies: A View from the British Midlands, Cinema Journal, 47.3, p. 122–127.
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