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Joyrich, L., 2014. Queer Television Studies: Currents, Flows, and (Main)streams, Cinema Journal, 53.2, p. 133–139.
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Joyrich, L., Kavka, M. & Weber, B.R., 2015. Project Reality TV: Preshow Special, Camera Obscura, 88 (30.1), 01-set.
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Kavka, M., 2015. Sex on the Shore: Care and the Ethics of License in Jersey Shore, Camera Obscura, 88 (30.1), p. 101–127.
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Kessler, K., 2011. They Should Suffer Like the Rest of Us: Queer Equality in Narrative Mediocrity, Cinema Journal, 50.2, p. 139–144.
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Kompare, D., 2011. Filling the Box: Television in Higher Education, Cinema Journal, 50.4, p. 161–165.
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Kraszewski, J., 2011. Hybridity, History, and the Identity of the Television Studies Teacher, Cinema Journal, 50.4, p. 166–172.
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Levine, E., 2011. Teaching the Politics of Television Culture in a “Post-Television” Era, Cinema Journal, 50.4, p. 177–182.
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Litwack, M., 2015. Making Television Live: Mediating Biopolitics in Obesity Programming, Camera Obscura, 88 (30.1), p. 41–69.
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Lynn Jones, J., Weber, B.R. &, 2015. Reality Moms, Real Monsters: Transmediated Continuity, Reality Celebrity, and the Female Grotesque, Camera Obscura, 88 (30.1), nov-39.
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Miller, T., 2005. Turn Off TV Studies!, Cinema Journal, 45.1, p. 98–101.
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Mittell, J., 2006. Narrative Complexity in Contemporary American Television, The Velvet Light Trap, 58, p. 29–40.
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Mittell, J., 2001. A Cultural Approach to Television Genre Theory, Cinema Journal, 40.3, mar-24.
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Moseley, R., Wheatley, H. &, 2008. Is Archiving a Feminist Issue? Historical Research and the Past, Present, and Future of Television Studies, Cinema Journal, 47.3, p. 152–158.
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Newcomb, H., 2005. Studying Television: Same Questions, Different Contexts, Cinema Journal, 45.1, p. 107–111.
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Newman, M.Z., 2006. From Beats to Arcs: Toward a Poetics of Television Narrative, The Velvet Light Trap, 58, p. 16–28.
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Nichols-Pethick, J., 2011. Going with the Flow: On the Value of Randomness, Flexibility, and Getting Students In on the Conversation, or What I learned from Antoine Dodson, Cinema Journal, 50.4, p. 182–187.
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Nichols-Pethick, J., 2011. Nobody with a Good Script Needs to Be Justified, Cinema Journal, 50.2, p. 153–159.
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Orr Vered, K., McConchie, J. &, 2011. The Politics of Third Way TV:Supernannyand the Commercialization of Public Service TV, Camera Obscura, 77 (26.2), p. 33–63.
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Perren, A., 2011. In Conversation: Creativity in the Contemporary Cable Industry, Cinema Journal, 50.2, p. 132–138.
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