toggle visibility Search & Display Options

Select All    Deselect All
 | 
Citations
 | 
   print
Innocenti, V., 2012. Introduction, Cinéma & Cie., XII/19, p. 9–14.
toggle visibility
Joyrich, L., 2014. Queer Television Studies: Currents, Flows, and (Main)streams, Cinema Journal, 53.2, p. 133–139.
toggle visibility
Joyrich, L., Kavka, M. & Weber, B.R., 2015. Project Reality TV: Preshow Special, Camera Obscura, 88 (30.1), 01-set.
toggle visibility
Kavka, M., 2015. Sex on the Shore: Care and the Ethics of License in Jersey Shore, Camera Obscura, 88 (30.1), p. 101–127.
toggle visibility
Kessler, K., 2011. They Should Suffer Like the Rest of Us: Queer Equality in Narrative Mediocrity, Cinema Journal, 50.2, p. 139–144.
toggle visibility
Kompare, D., 2011. Filling the Box: Television in Higher Education, Cinema Journal, 50.4, p. 161–165.
toggle visibility
Kraszewski, J., 2011. Hybridity, History, and the Identity of the Television Studies Teacher, Cinema Journal, 50.4, p. 166–172.
toggle visibility
Levine, E., 2011. Teaching the Politics of Television Culture in a “Post-Television” Era, Cinema Journal, 50.4, p. 177–182.
toggle visibility
Litwack, M., 2015. Making Television Live: Mediating Biopolitics in Obesity Programming, Camera Obscura, 88 (30.1), p. 41–69.
toggle visibility
Lynn Jones, J., Weber, B.R. &, 2015. Reality Moms, Real Monsters: Transmediated Continuity, Reality Celebrity, and the Female Grotesque, Camera Obscura, 88 (30.1), nov-39.
toggle visibility
Miller, T., 2005. Turn Off TV Studies!, Cinema Journal, 45.1, p. 98–101.
toggle visibility
Mittell, J., 2006. Narrative Complexity in Contemporary American Television, The Velvet Light Trap, 58, p. 29–40.
toggle visibility
Mittell, J., 2001. A Cultural Approach to Television Genre Theory, Cinema Journal, 40.3, mar-24.
toggle visibility
Moseley, R., Wheatley, H. &, 2008. Is Archiving a Feminist Issue? Historical Research and the Past, Present, and Future of Television Studies, Cinema Journal, 47.3, p. 152–158.
toggle visibility
Newcomb, H., 2005. Studying Television: Same Questions, Different Contexts, Cinema Journal, 45.1, p. 107–111.
toggle visibility
Newman, M.Z., 2006. From Beats to Arcs: Toward a Poetics of Television Narrative, The Velvet Light Trap, 58, p. 16–28.
toggle visibility
Nichols-Pethick, J., 2011. Going with the Flow: On the Value of Randomness, Flexibility, and Getting Students In on the Conversation, or What I learned from Antoine Dodson, Cinema Journal, 50.4, p. 182–187.
toggle visibility
Nichols-Pethick, J., 2011. Nobody with a Good Script Needs to Be Justified, Cinema Journal, 50.2, p. 153–159.
toggle visibility
Orr Vered, K., McConchie, J. &, 2011. The Politics of Third Way TV:Supernannyand the Commercialization of Public Service TV, Camera Obscura, 77 (26.2), p. 33–63.
toggle visibility
Perren, A., 2011. In Conversation: Creativity in the Contemporary Cable Industry, Cinema Journal, 50.2, p. 132–138.
toggle visibility
Select All    Deselect All
 | 
Citations
 | 
   print